Музыкальный строй. Как музыка превратилась в поле битвы величайших умов западной цивилизации

Fenton, James. «How Great Art Was Made». New York Review of Books, Volume 45, No. 7, April 23, 1998, pp. 22–24, 26.

Hayes, Deborah. «Christian Huygens and the Science of Music». Musicology at the University of Colorado, Volume 1, No. 1, December 1977, pp. 17–31.

Hooke, Robert. «A Curious Dissertation». London: Philosophical Transactions, December 19,1727.

Kuttner, Fritz A. «Prince Chu Tsai-Yü’s Life and Work, a Reevaluation of his Contribution to the Equal Temperament Theory», Ethnomusicology, Volume 19, No. 2, May 1975, pp. 163–206.

Lindley Mark. «Mersenne on Keyboard Tuning», Journal of Music Theory, Volume 24, No. 2, Fall 1980, pp. 167–203.

Warren, Charles W. «Brunelleschi’s Dome and Dufay’s Motet». Musical Quarterly, Volume 59, 1973, pp. 92–105.

Wells, Robin Headlam. «John Dowland and Elizabethan Melancholy». Early Music, Volume 13, No. 4, November 1985, pp. 514–528.

Wright, Craig. «Dufay’s Nuper rosarum flores, King Solomon’s Temple, and the Veneration of the Virgin». Journal of the American Musicological Society, Volume 47, 1994, pp. 395–441.

Записи

Blackwood, Easley.

Источники иллюстраций

С разрешения The Wellcome Trust, London

С разрешения Cambridge University Library, Cambridge, England

С разрешения Stewart Pollens

С разрешения The Metropolitan Museum of Art. The Crosby Brown Collection, 1901

С разрешения The Wellcome Trust, London

С разрешения The Metropolitan Museum of Art. The Crosby Brown Collection, 1901

С разрешения The Metropolitan Museum of Art. The Crosby Brown Collection, 1901

Из Alfred Dolge, “Pianos and their Makers”. 1911

С разрешения Stewart Pollens

С разрешения The Metropolitan Museum of Art. The Crosby Brown Collection, 1901

С разрешения Steinway & Sons, Long Island City, New York