According to Becker, as we grow up, at some point we become aware of death, then the fact that people we know and love die, then the fact that someday we, too, will die. Most of us do what we can to avoid it. Meanwhile, in ways we understand only dimly if at all, we embrace identities and the illusion of selfsufficiency. We pursue activities, both positive and negative, that we hope will lift us beyond the chains of ordinary existence and perhaps endure after we are gone. All this we do in a desperate push against the certainty that death is our ultimate destiny. Some of us seek power and wealth, others romantic love, sex, or some other indulgence. Some want to be great, others to do good and be good. Whether we succeed or fail, we are still going to die. The only solace, of course, is to believe that since we were created, there must be a Creator, one to whom we matter and will in some way return. Where does Becker’s analysis leave us? He concludes: “Who knows what form the forward momentum of life will take in the time ahead. . . . The most that any one of us can seem to do is to fashion something
—an object or ourselves—and drop it into the confusion, make an offering of it, so to speak, to the life force.” Ernest Becker died shortly before
In December, I had another political decision to make. Many of my supporters wanted me to run for Congress again. The debt was paid off, and they wanted a rematch. I thought Congressman Hammerschmidt would be harder to beat this time, even if Jimmy Carter won the party’s nomination. More important, I had lost my desire to go to Washington; I wanted to stay in Arkansas. And I was getting more interested in state government, thanks in part to the opportunity Attorney General Jim Guy Tucker had given me to write a brief to the U.S. Supreme Court on behalf of our state in an antitrust case involving the setting of interest rates on credit cards. Jim Guy was running for Congress, for the seat vacated by the retirement of Wilbur Mills, so the attorney general’s job would be open and it had a lot of appeal for me.
While I was mulling it over, my friend David Edwards, who was working for Citibank, called and asked us to go to Haiti with him. He said he had enough frequent flier miles built up to pay for our tickets, and he wanted to give us the trip as a wedding present. Barely a week after we returned from Mexico, we were off again.
By late 1975, Papa Doc Duvalier had passed from the scene, succeeded by his son, a portly young man whom everybody called Baby Doc. We saw him one day when he drove across the big square from his official residence in Port-au-Prince to lay a wreath at the monument to Haitian independence, a statue of a powerful freed slave blowing on a conch. His security force, the infamous Tontons Macoutes, were everywhere, and intimidating with their sunglasses and machine guns.
The Duvaliers had managed to dominate, pillage, and mismanage Haiti until it was the poorest county in our hemisphere. Port-au-Prince was still beautiful in places but had the feel of faded glory. I remember especially the frayed carpeting and broken pews in the National Cathedral. Despite the politics and poverty, I found the Haitians fascinating. They seemed lively and intelligent, and they produced beautiful folk art and captivating music. I marveled at the way so many of them seemed not only to survive but to enjoy life.
I was particularly intrigued by the voodoo religion and culture to which I had had some limited exposure in New Orleans, and that existed alongside Catholicism in Haiti.
The name of the traditional Haitian religion comes from the Fon language of Benin in West Africa, where voodoo originated. It means “God” or “spirit,” without the connotations of black magic and witchcraft attached to it in so many movies. Voodoo’s central ritual is a dance during which spirits possess believers. On the most interesting day of the trip, I got the chance to observe voodoo in practice. David’s Citibank contact in Port-au-Prince offered to take him, Hillary, and me to a nearby village to meet an unusual voodoo priest. Max Beauvoir had spent fifteen years outside Haiti, studying at the Sorbonne in Paris and working in New York. He had a beautiful blond French wife and two bright young daughters. He had been a practicing chemical engineer until his voodoo-priest grandfather, on his deathbed, chose Max to succeed him. Max was a believer, and he did it, though it must have proved a challenge for his French wife and westernized kids.