Schmitt 1996 — Schmitt J.-Cl.
La culture de Vimago//Annales. Histoire, Sciences Sociales, 1996, № 1. P. 3–36.Schmitt 2002 — Schmitt J.-Cl.
Le corps des images. Essais sur la culture visuelle au Moyen Âge. Paris: Gallimard, 2002.Schmitt 2006 — Schmitt J.-Cl.
«De l'espace aux lieux»: les images médiévales//Actes des congrès de la Société des historiens médiévistes de l'enseignement supérieur public (37e congrès, Mulhouse, 2006. Construction de l'espace au Moyen Age: pratiques et représentations), 2006, Vol. 37. P. 317–346.Schmitt 2010 — Schmitt J.-Cl.
La mort, les morts et le portrait//Olariu D. (dir.). Le Portrait individuel. Réflexions autour d'une forme de représentation, XIIIe–XVe siècles. Bern; Berlin; Bruxelles: Peter Lang, 2010. P. 15–33.Schmitt 201 в — Schmitt J.-Cl.
Les rythmes au Moyen Âge. Paris: Gallimard, 2016.Schmitt 2004 — Schmitt N. C.
Continuous Narration in the Holkham Bible Picture Book and Queen Mary's Psalter//Word & Image, 2004, Vol. 20, № 2. P. 123–137.Schwarz 1959 — Schwarz H
. The Mirror of the Artist and the Mirror of the Devout: Observations on Some Paintings. Drawings and Prints in the Fifteenth Century//Studies in the History of Art Dedicated to William E. Suida on His Eightieth Birthday. London: Phaidon, 1959. P. 90–100.Scribner 1987 — Scribner R. W.
Demons, Defecation and Monsters: Popular Propaganda for the German Reformation//Idem. Popular Culture and Popular Movements in Reformation Germany. London: The Hambledon Press, 1987.Sevcenko 2015 — Sevcenko N
. Written Voices: The Spoken Word in Middle Byzantine Monumental Painting//Boynton S., Reilly D. J. (eds.). Resounding Images. Medieval Intersections of Art, Music, and Sound. Turnhout: Brepols, 2015. P. 153–165.Seidel 1989 — Seidel L.
Jan van Eyck's Arnolfini Portrait: Business as Usual?//Critical Inquiry, 1989, Vol. 16, № 1. P. 54–86.Seidel 1991 — Seidel L
. The Value of Verisimilitude in the Art of Jan Van Eyck//Yale French Studies, 1991 (Special Issue: Contexts: Style and Values in Medieval Art and Literature), P. 25–43.Selbach 2010 — Selbach V.
«La Vierge aux yeux crevés», une image miraculeuse ou superstitieuse? Du bon usage de l'estampe dans la lutte contre l'iconoclasme protestant au XVIIe siècle//Fuhring P. (éd.). L'Estampe au Grand Siècle: études offertes à Maxime Préaud. P., 2010. P. 157–173.Shemesh 2018 — Shemesh A. O
. «Ostrich is a Fowl for any Matter»: The Ostrich as a «Strange» Fowl in Jewish Literature//HTS Theological Studies, 2018, Vol. 74, № 1 (https://hts.org.za/index.php/hts/article/ view/4938).Sigal 1983 — Sigal P.-A.
L'exvoto au Moyen Âge dans les régions du Nord-Ouest de la Méditerrannée (XIIe–XVe siècle)//Provence historique, 1983, Vol. 33. P. 15–31.Sigal 1985 — Sigal P.-A
. L'Homme et le miracle dans la France médiévale (XIe–XIIe siècle). Paris: Éditions du Cerf, 1985.Silver 2006 — Silver L.
Peasant Scenes and Landscapes: The Rise of Pictorial Genres in the Antwerp Art Market. Philadelphia: University of Pennsylvania Press, 2006.Silverman 2013 — Silverman E
. A Cultural History of Jewish Dress. London; New York: Bloomsbury, 2013.Skemer 2006 — Skemer D. C.
Binding Words: Textual Amulets in the Middle Ages, University Park: The Pennsylvania State University Press, 2006.Smeets 1996 — Smeets J. R
. Les cornes de Moïse//Romania, 1996, T. 114, № 453–454. P. 235–246.Smith 2014 — Smith J. L.
Jan van Eyck's Typology of Spiritual Knighthood in the Van der Paele Madonna//Melion W., Clifton J., Weemans M. Imago Exegetica. Visual Images as Exegetical Instruments, 1400–1700. Leiden; Boston: Brill, 2014. P. 45–71.Stanton 2011 — Stanton A. R.
Turning the Pages: Marginal Narratives and Devotional Practice in Gothic Prayerbooks//Blick S., Gelfand L. (eds.). Push Me, Pull You: Imaginative and Emotional Interaction in Late Medieval and Renaissance Art. Vol. 1. Leiden; Boston: Brill, 2011. P. 75–121.Stewart 2016 — Stewart A. G.
Before Bruegel: Sebald Beham and the Origins of Peasant Festival Imagery. London; New York: Routledge, 2016.Stoichita 1995 — Stoichita V. I.
Visionary Experience in the Golden Age of Spanish Art. London: Reaktion Books, 1995.Stoichita 1999 — Stoichita V. I
. A Short History of the Shadow. London: Reaktion Books, 1999.Strickland 2003 — Strickland D. H
. Saracens, Demons, and Jews: Making Monsters in Medieval Art. Princeton: Princeton University Press, 2003.Syme 2007 — Syme H. S.
The Look of Speech//Textual Cultures, 2007, Vol. 2, № 2. P. 34–60.Tachau 2006 — Tachau K. H.
Seeing as Action and Passion in the Thirteenth and Fourteenth Centuries//The Mind's Eye. Art and Theological Argument in the Middle Ages/Ed. by J. Hamburger, A.-M. Bouché. Princeton: Princeton University Press, 2006.