Читаем Mythos: A Retelling of the Myths of Ancient Greece полностью

A face far more beautiful than creation has yet seen or will ever see again. Not just someone beautiful but Beauty itself rises fully formed from the foam. In Greek ‘from the foam’ can be rendered as something like APHRODITE, and this is the name of the one who now lifts herself from the spume and spray. She stands on a large scallop shell, a demure and gentle smile playing on her lips. Slowly she alights onto a beach on Cyprus. Where she steps flowers bloom and clouds of butterflies arise. Around her head birds fly in circles, singing in ecstasies of joy. Perfect Love and Beauty has made her landfall and the world will never be the same.

The Romans called her VENUS, and her birth and arrival on the sands of Cyprus on the scallop shell were never better portrayed than in Botticelli’s exquisite painting, which once seen is never forgotten.

We leave Aphrodite making her home on Cyprus and return to Kronos, who is on his way back from the dark caves of Tartarus.

Rhea

When he arrived on Mount Othrys, Kronos found his sister Rhea waiting for him. The sight of her darkly handsome brother, a huge sickle dripping blood in his hand, thrilled her to the point of internal explosion.

His authority was established: none of his brother or sister Titans dared question him.fn14 His father was powerless and Gaia, who found she could take no joy in the violent overthrow she had set in motion, withdrew into her realm and into a more passive existence. She never lost her strength, authority or high status as Mother Earth and ancestress of all, but she no longer ventured forth to interact or conjoin. Kronos was the master now. After a great feast in which his achievement in unmanning and unseating Ouranos was roaringly and most unmusically sung, Kronos turned to the blushing, trembling Rhea and pulled her aside to make love to her.

Rhea’s joy was complete. She had played her part in helping the brother she adored achieve mastery of all creation. And now they were united. More than that, in the fullness of time she began to feel a child moving inside her. A baby girl, she felt sure. Her happiness was unclouded.

Kronos, on the other hand … His already dour disposition was darkened by something else. The words of his father Ouranos began to echo in his head:

Your own children will overthrow you as you overthrew me.

Over the coming weeks and months Kronos watched with sullen foreboding as Rhea’s belly filled and swelled.

Your own children … your own children …

When the day came for her confinement, Rhea laid herself down in an alcove in the mountain – the same recess in the rocks, in fact, where Gaia had concealed the scythe and Kronos had hidden. Here she gave birth to a beautiful baby girl whom she named HESTIA.

The name was hardly out of Rhea’s mouth before Kronos stepped forward, snatched the child from her arms and swallowed it whole. He turned and departed without so much as a hiccup, leaving Rhea white with shock.

The Children of Rhea

Kronos was now lord of earth, sea and sky, with the scythe the symbol of his authority. His sceptre. The earth he took from Gaia, the sky from Ouranos. With threats of violence he wrested dominion over the sea from Pontus and Thalassa and from his siblings Oceanus and Tethys. He trusted no one and ruled alone.

Still Kronos continued to take his pleasure with Rhea and still she consented, loving him hopelessly and trusting that the monstrous eating of their firstborn had been some sort of aberration.

It was not. Their next child, a boy she called HADES, was devoured in just the same manner. And then another baby girl, DEMETER. Next was POSEIDON, a second boy, and finally a third girl, HERA. All of them swallowed whole with as much ease as you and I might gulp down an oyster or a spoonful of jelly.

By the time Kronos consumed Hera, Rhea’s fifth pregnancy, her love for Kronos had turned to hate. That same night he seized her and made love to her again. She swore to herself that if she became pregnant he would never take her sixth child. But how could she prevent him? He was all powerful.

One morning she arose and felt the familiar nausea. She was pregnant. Her divine instincts told her that her sixth was to be a boy.

She left Othrys and took herself off in search of her mother and father. For all that she had contributed to their downfall she retained a daughter’s trust in their wisdom and good will. She knew too that their fury at her part in their ruin was as nothing to their undying hatred of Kronos.

For three days her calls to Gaia and Ouranos rang round the hills and caves of the world.

Перейти на страницу:

Похожие книги

Эра Меркурия
Эра Меркурия

«Современная эра - еврейская эра, а двадцатый век - еврейский век», утверждает автор. Книга известного историка, профессора Калифорнийского университета в Беркли Юрия Слёзкина объясняет причины поразительного успеха и уникальной уязвимости евреев в современном мире; рассматривает марксизм и фрейдизм как попытки решения еврейского вопроса; анализирует превращение геноцида евреев во всемирный символ абсолютного зла; прослеживает историю еврейской революции в недрах революции русской и описывает три паломничества, последовавших за распадом российской черты оседлости и олицетворяющих три пути развития современного общества: в Соединенные Штаты, оплот бескомпромиссного либерализма; в Палестину, Землю Обетованную радикального национализма; в города СССР, свободные и от либерализма, и от племенной исключительности. Значительная часть книги посвящена советскому выбору - выбору, который начался с наибольшего успеха и обернулся наибольшим разочарованием.Эксцентричная книга, которая приводит в восхищение и порой в сладостную ярость... Почти на каждой странице — поразительные факты и интерпретации... Книга Слёзкина — одна из самых оригинальных и интеллектуально провоцирующих книг о еврейской культуре за многие годы.Publishers WeeklyНайти бесстрашную, оригинальную, крупномасштабную историческую работу в наш век узкой специализации - не просто замечательное событие. Это почти сенсация. Именно такова книга профессора Калифорнийского университета в Беркли Юрия Слёзкина...Los Angeles TimesВажная, провоцирующая и блестящая книга... Она поражает невероятной эрудицией, литературным изяществом и, самое главное, большими идеями.The Jewish Journal (Los Angeles)

Юрий Львович Слёзкин

Культурология