На исходе дня. История ночи

2. Lorus Johnson Milne and Margery Joan Milne, The World of Night (New York, 1956), 22; Thomas Hardy, The Return of the Native (1880; rpt. edn., London, 1993), 19; Nov. 5, 1830, Michael McGrath, ed., Cinnine Amhiaoibh Ui Shuileabhain: The Diary of Humphrey O'Sullivan (London, 1936), II, 355–356; John Florio, comp., Queen Anna's New World of Words, or Dictionarie of the Italian and English Tongues (London, 1611), 79. Традиционно считалось, что крики сипухи [совообразная птица] предвещают смерть. Gilbert White, The Natural History and Antiquities ofSelborne (London, 1994), 142–143; Brand 1848, III, 209–210.

3. Shakespeare, The Merchant of Venice, V, 1,124, and Measure for Measure, TV, 1,56–57.

ЧАСТЬ ПЕРВАЯ

Прелюдия

1. Daniel Boorstin, The Discoverers (New York, 1983), 26.

2. Edmund Burke, A Philosophical Enquiry into the Origins of Our Ideas of the Sublime and Beautiful (1757; rpt. edn., New York, 1971), 272–281; John Locke, An Essay Concerning Human Understanding, ed. Peter H. Nidditch (Oxford, 1975), 397–398.

3. Juliette Favez-Boutonier, L'Angoisse (Paris, 1945), 134–150.

4. The Iliad, trans. Robert Fitzgerald (New York, 1992), 338; Kevin Coyne, A Day in the Night of America (New York, 1992), 35; Richard Cavendish, The Powers of Evil in Western Religion, Magic, and Folk Belief (New York, 1975), 88–89; Geoffrey Parrinder, Witchcraft: European and African (London, 1970), 123–124; Norman Cohn, Europe's Inner Demons: An Enquiry Inspired by the Great Witch-Hunt (New York, 1975), 206–207.

5. Psalms 23:4; John 1:5; Matthew 27:45; Cavendish, Powers of Evil, 87–91; Ernst Cassirer. The Philosophy of Symbolic Forms, trans. Ralph Manheim (New Haven, 1964), 98–99.

6. Alan Macfarlane, Witchcraft in Tudor and Stuart England: A Regional and Comparative Study (London, 1970), 212; Lucy Mair, Witchcraft (New York, 1969), 42–43; B. Malinowski, "The Natives of Mailu: Preliminary Results of the Robert Mond Research Work in British New Guinea," in Transactions and Proceedings of the Royal Society of South Australia 39 (1915), 647–648; Parrinder, Witchcraft, 134–146; John Middleton and E. H. Winter, eds., Witchcraft and Sorcery in East Africa (London, 1969), passim.

7. Rolfe Humphries, trans., The Satires of Juvenal (Bloomington, Ind., 1966), 43–44; Mark J. Bouman, "Luxury and Control: The Urbanity of Street Lighting in Nineteenth-Century Cities," JUH 14 (1987), 9; Hazel Rossotti, Fire (Oxford, 1993), 59; O'Dea, Lighting, 14–16, 220.

8. Richard M. Dorson, ed., America Begins: Early American Writing (Bloomington, Ind., 1971), 280, 282; Theodore M. Andersson, "The Discovery of Darkness in Northern Literature," in Robert B. Burlin and Edward B. Irving, Jr., eds., Old English Studies in Honour of John C. Pope (Toronto, 1974), 9—12.

Глава первая

1. Nashe, Works, 1,345.

2. J. P. Arival, The Historic of this Iron Age: Wherein is Set Down the True State of Europe as It Was in the Year 1500…, trans. B. Harris (London, 1659), 2; George Herbert, Jaculum Prudentium: or Outlandish Proverbs… (London, 1651), 70; "Quid Tunc," SJC, Aug. 29, 1767; Honore de Balzac, The Human Comedy (New York, 1893), II, 6; William G. Na-phy and Penny Roberts, eds., Fear in Early Modem Society (Manchester, 1997).

3. Richard Steele, The Husbandmans Calling… (London, 1670), 270; Shakespeare, Henry V, IV, 0, 4; Shakespeare, The Rape of Lucrece, 764–767; Anthony J. Lewis, "The Dog, Lion, and Wolf in Shakespeare's Descriptions of Night," Modem Language Review 66 (1971), 1—11; Anthony Harris, Night's Black Agents: Witchcraft and Magic in Seventeenth-Century English Drama (Manchester, 1980); Jean-Marie Maguin, La Nuit dans le Theatre de Shakespeare et de ses Predecesseurs, 2 vols. (Lille, 1980).