The specialist’s voice is very firm, and I like the way he delivers the facts without trying to cushion them. «It’s a matter of trade–offs, Mrs. Didier. The brain cannot be optimized for everything at once. Without treatment, some children like Hannah develop into extraordinary individuals. They become famous, change the world, learn to integrate their abilities into the structures of society. But only a very few are that lucky. The others never learn to make friends, hold a job, or live outside of institutions.»
«And… with treatment?»
«I cannot promise anything, but the chances are very good that Hannah will lead a normal life.»I have pressed my hand to the window. The glass feels cold and smooth beneath my palm. It appears motionless although I know at the molecular level it is flowing. Its atoms slide past each other slowly, so slowly; a transformation no less inevitable for its tempo. I like glass – also stone – because it does not change very quickly. I will be dead, and so will all of my relatives and their descendants, before the deformations will be visible without a microscope.
I feel my mother’s hands on my shoulders. She has come up behind me and now she turns me so that I must either look in her eyes or pull away. I look in her eyes because I love her and because I am calm enough right now to handle it. She speaks softly and slowly.
«Would you like that, Hannah? Would you like to be more like other teenagers?»Neither yes nor no seems appropriate, so I do not say anything. Words are such fleeting, indefinite things. They slip through the spaces between my thoughts and are lost.
She keeps looking at me, and I consider giving her an answer I’ve been saving. Two weeks ago she asked me whether I would like a new pair of dancing shoes and if so, what color. I have collected the proper words in my mind, smooth and firm like pebbles, but I decide it is not worth speaking them. Usually by the time I answer a question, people have forgotten that they asked it.
The word they have made for my condition is temporal autism. I do not like it, both because it is a word and because I am not certain I have anything in common with autists beyond a disinclination for speech.
They are right about the temporal part, though.
My mother waits twelve–point–five seconds before releasing my shoulders and returning to sit on the folding chair. I can tell she is unhappy with me, so I climb down from the window ledge and reach for the paper sack I keep tucked under my bed. The handles are made of twine, rough and real against my fingers. I press the sack to my chest and slip past the people conversing in my bedroom. Downstairs I open the front door and stare into the breathtaking sky. I know I am not supposed to leave the house on my own, but I do not want to stay inside, either. Above me the heavens are moving. The clouds swirl like leaves in a hurricane: billowing, vanishing, tumbling apart and restructuring themselves; a lethargic yet incontrovertible chaos.
I can almost feel the earth spinning beneath my feet. I am hurtling through space, a speck too small to resist the immensity of the forces that surround me. I tighten my fingers around the twine handles of the sack to keep myself from spinning away into the stratosphere. I wonder what it’s like to be cheerfully oblivious of the way time shapes our existence. I wonder what it’s like to be like everyone else.
I am under the brilliant sky now, the thick paper of the sack crackling as it swings against my legs. I am holding the handles so tightly that the twine bites into my fingers.
At my feet the flytraps are opening, their spiny blossoms stretching upwards from chips and cracks in the pavement. They are a domestic variety gone wild, and they are thriving in the nurturing environment provided by this part of town. Our street hosts a flurry of sidewalk cafes, and the fist–sized blossoms open every evening to snare crumbs of baguettes or sausage fragments carried by the wind from nearby tables.
The flytraps make me nervous, although I doubt I could communicate to anyone why this is so. They feel very much like the clouds that stream overhead in glowing shades of orange and amber: always changing, always taking on new forms.
The plants have even outgrown their own name. They seldom feed on flies anymore. The game of out–evolving prey has become unrewarding, and so they have learned to survive by seeming pleasant to humanity. The speckled patterns along the blossoms grow more intricate each year. The spines snap closed so dramatically when a bit of protein or carbohydrate falls within their grasp that children giggle and hasten to fetch more.
One flytrap, in particular, catches my attention. It has a magnificent blossom, larger and more colorful than any I have seen before, but the ordinary stem is too spindly to support this innovation. The blossom lies crushed against the sidewalk, overshadowed by the smaller, sturdier plants that crowd above it.