Читаем Narcopolis полностью

Mr Lee’s khana existed outside the street’s usual lines of supply and demand. It was Mistah Lee’s, or Mister Ree’s, a place of fable, the Chinese den with the antique pipes where customers were unwelcome. Wooden cots were stacked like bunk beds, each cot with a pipe, each pipe on a tray. Smokers tended to their own pyalis. The door was always closed and because there were few customers the police didn’t bother asking for chai-paani bribe money. Two or three middle-aged Chinese men arrived around noon, smoked their quotas and left without saying much. Mr Lee wasn’t interested in more custom. There was enough money to keep himself in opium and food — plenty of one and just enough of the other — and that was as much business as he wanted. When he and Dimple were alone, he liked to open up his battered tin trunks and show her relics from his old life. There was an English identity card in an envelope of documents. The image was creased and faded but the lettering was still legible. She read his name slowly; she was teaching herself to read English.

‘Lee ka see.’

‘No,’ he said. ‘Lee Ka Tsay.’

She read aloud his birth year, 1929, and province, Canton. He’d been an officer in the army.

‘Wrong army,’ he told her. ‘I on wrong side in war. You know why? Because we lose. If you lose, you wrong.’

*

She wanted to know what it was like to lose a war and a homeland at one stroke and to travel for a long time and arrive in a place where no one knew you. He told her it was like dying or being paralysed, a catastrophic occurrence that no one was equipped to deal with, however strong or well trained they were. She said she liked the city because it was big and there were many strangers who became friends. She said he was lucky to start again somewhere new. He made a gesture with his shoulders, a tiny gesture that told her the precise extent of his unluckiness. And she understood that while his memories of home had softened with time, everything he told her of India was sharp with dislike. He said, Here everything too fast, too loud, too crazy. Indians don’t care for past, only care for now. They too busy thinking of food to think of tomorrow. So? You do what you want do. Dare to dream. Dare to dream. You have to turning round like snowball otherwise you don’t become big. He had to explain to her what a snowball was.

There was a uniform in the trunk and she asked him to put it on. It had high collars and narrow epaulettes and insignia on the breast; it suited him, and the peaked cap transformed him. He filled out, as if he’d grown younger and taller. She saw the markings on the uniform and she understood that he’d been an important man. Go out in that and the girls will pay you, she said. His smile was shy, a small shy flicker, like the ghost of a smile that had occurred a long time ago.

*

It took him a while to work up to it, to ask the questions she’d been asked many times: How did they do it? And: how much did it hurt? Her reply was casually made, as if she were talking about a haircut or a school outing. It affected Lee more than if she’d wept or cursed. When you’re cut young you become a woman quicker, she told him, and since she had not yet been ten, they did both at one go. With older boys, they removed only the testicles. Gelding. They used the English word. In her case: gelding and docking.

‘I was nine or I might have been eight,’ Dimple said. ‘It was about a year after I came to Bombay, to the hijra’s brothel. A woman was called, a famous daima, Shantibai. There was singing and dancing and whisky. The daima told me to chant the goddess’s name and she gave me a red sari. She made me drink whisky. I hated the taste but I drank it. They gave me opium. Then four of them held me down. They used a piece of split bamboo on my penis and testicles and held me down. The bamboo was so tight I felt nothing, until afterwards, when they poured hot oil on my wound. That was when I felt the pain, and more, something strange, I was sure the pain would set me free. It burned when they poured the oil, but it was a good thing, it meant the bleeding would stop.’

‘They not take you to doctor?’

‘I could have asked for a doctor, but nobody respects the doctor nirvan. You get anaesthesia and medicine. You’re not risking your life.’

Lee asked more questions.

‘My mother brought me here to 007 and gave me to the tai. I was seven or eight. I don’t remember much about her or my life before I came. I don’t want to remember.’

‘Best. Forget is best.’

‘Why remember and make yourself sad?’

‘Why remember when anyway you memory wrong, all wrong.’

‘Yes, yes, best to forget.’

‘What I said.’

*

Перейти на страницу:

Похожие книги

Текст
Текст

«Текст» – первый реалистический роман Дмитрия Глуховского, автора «Метро», «Будущего» и «Сумерек». Эта книга на стыке триллера, романа-нуар и драмы, история о столкновении поколений, о невозможной любви и бесполезном возмездии. Действие разворачивается в сегодняшней Москве и ее пригородах.Телефон стал для души резервным хранилищем. В нем самые яркие наши воспоминания: мы храним свой смех в фотографиях и минуты счастья – в видео. В почте – наставления от матери и деловая подноготная. В истории браузеров – всё, что нам интересно на самом деле. В чатах – признания в любви и прощания, снимки соблазнов и свидетельства грехов, слезы и обиды. Такое время.Картинки, видео, текст. Телефон – это и есть я. Тот, кто получит мой телефон, для остальных станет мной. Когда заметят, будет уже слишком поздно. Для всех.

Дмитрий Алексеевич Глуховский , Дмитрий Глуховский , Святослав Владимирович Логинов

Детективы / Современная русская и зарубежная проза / Социально-психологическая фантастика / Триллеры
Последний
Последний

Молодая студентка Ривер Уиллоу приезжает на Рождество повидаться с семьей в родной город Лоренс, штат Канзас. По дороге к дому она оказывается свидетельницей аварии: незнакомого ей мужчину сбивает автомобиль, едва не задев при этом ее саму. Оправившись от испуга, девушка подоспевает к пострадавшему в надежде помочь ему дождаться скорой помощи. В суматохе Ривер не успевает понять, что произошло, однако после этой встрече на ее руке остается странный след: два прокола, напоминающие змеиный укус. В попытке разобраться в происходящем Ривер обращается к своему давнему школьному другу и постепенно понимает, что волею случая оказывается втянута в давнее противостояние, длящееся уже более сотни лет…

Алексей Кумелев , Алла Гореликова , Игорь Байкалов , Катя Дорохова , Эрика Стим

Фантастика / Современная русская и зарубежная проза / Постапокалипсис / Социально-психологическая фантастика / Разное