Читаем Narcopolis полностью

She had thought about what to say, she’d prepared herself. When Mr Lee thanked her for coming back, she said, It’s nothing. How could I not come? I owe you this much. Now tell me what you were going to say the last time. He blinked at her, his impassive face flickering in the blue. She noticed tiny bubbles in the corners of his mouth. In his newly acquired accentless English he said, When my father died our lives changed for ever. My mother was sent away and I had to start working. My father lost interest in being a man. The only thing he was interested in was opium. Then he died, in that way he let us down, but I always honoured him. I attended to his rites as long as I was able. I fulfilled my duties as a son. When I became a father I was always afraid I would become like him, become a slave to opium and forget how to be a man. So I took care, I took the utmost care to fulfil my responsibilities. When I died, what did you do? Were you not my daughter? Wasn’t I a better father to you than your real father? I left you only when I had no choice. Until then I gave you my protection and shared my life and all my possessions with you. In return I asked for one thing. When you said you would do it, did you know you would not? This is the question I wanted to ask you. This is why I asked you to come back. Her reply was so soft even she could barely hear it. No, Father Lee, when I said I would do it, I meant it. You didn’t: you lied then and you’re lying now. You made a fool of a sick man. Dimple’s tears were of a slightly different colour than the water, less transparent, of a lighter blue. Old Father Lee, she said, forgive me. Please, I’m so sorry. What must I do to earn your forgiveness? And it was when she heard Mr Lee’s reply that she knew she would never be able to appease him, that he ill-wished her, that he would never forgive her and she would never forgive herself, and that grievances did not disappear with death, if anything they became more pronounced.

Mr Lee said: Smoke more Chemical

<p>Chapter Nine The Intoxicated Entity</p>

It was 1992, which meant that she’d been living in the apartment on the half landing between Rashid’s khana and his home for almost ten years, and though she’d come across his family on the stairs or in the neighbourhood — a cause of apparent distress to his wives, who lowered their eyes and walked on without a word — she had never been to his home and knew nothing about his family life. He rarely mentioned his wives, and if he did, it was to complain about some trivial domestic matter, as if they were employees and he was disappointed with the quality of their service. She wondered if he spoke about her in the same way, and if he spoke about her at all. His wives kept his home running, laundered his white shirts and made his food the way he wanted. She on the other hand had no official standing. She could not bear children or cook; all she could provide was sex and conversation. The sex at least he couldn’t complain about, she knew, because that had once been her job and she’d been good at it. He didn’t have complaints, but she did, though she had no one to tell them to. He had an aversion to touch, to any kind of friendly touching, and cuddling was out of the question. He didn’t like to be seen with her in public. He took too long to come. Sometimes, when they were fucking, she thought of a story she’d read in which the plague arrived to a town in Europe. You sneezed for a few days and died, just like that. As soon as people were identified as sick, they were bundled into carts and taken to the cemetery, where they were dumped, alive, to await burial. In the carts, the men and women fell on each other like animals, not stopping even when they were seized by the handlers and flung onto the cemetery grounds. It seemed to her that they, Rashid and she, fucked in the same way that the plague-stricken couples did, in a frenzy, to the death.

*

Перейти на страницу:

Похожие книги

Текст
Текст

«Текст» – первый реалистический роман Дмитрия Глуховского, автора «Метро», «Будущего» и «Сумерек». Эта книга на стыке триллера, романа-нуар и драмы, история о столкновении поколений, о невозможной любви и бесполезном возмездии. Действие разворачивается в сегодняшней Москве и ее пригородах.Телефон стал для души резервным хранилищем. В нем самые яркие наши воспоминания: мы храним свой смех в фотографиях и минуты счастья – в видео. В почте – наставления от матери и деловая подноготная. В истории браузеров – всё, что нам интересно на самом деле. В чатах – признания в любви и прощания, снимки соблазнов и свидетельства грехов, слезы и обиды. Такое время.Картинки, видео, текст. Телефон – это и есть я. Тот, кто получит мой телефон, для остальных станет мной. Когда заметят, будет уже слишком поздно. Для всех.

Дмитрий Алексеевич Глуховский , Дмитрий Глуховский , Святослав Владимирович Логинов

Детективы / Современная русская и зарубежная проза / Социально-психологическая фантастика / Триллеры
Последний
Последний

Молодая студентка Ривер Уиллоу приезжает на Рождество повидаться с семьей в родной город Лоренс, штат Канзас. По дороге к дому она оказывается свидетельницей аварии: незнакомого ей мужчину сбивает автомобиль, едва не задев при этом ее саму. Оправившись от испуга, девушка подоспевает к пострадавшему в надежде помочь ему дождаться скорой помощи. В суматохе Ривер не успевает понять, что произошло, однако после этой встрече на ее руке остается странный след: два прокола, напоминающие змеиный укус. В попытке разобраться в происходящем Ривер обращается к своему давнему школьному другу и постепенно понимает, что волею случая оказывается втянута в давнее противостояние, длящееся уже более сотни лет…

Алексей Кумелев , Алла Гореликова , Игорь Байкалов , Катя Дорохова , Эрика Стим

Фантастика / Современная русская и зарубежная проза / Постапокалипсис / Социально-психологическая фантастика / Разное