Before he became something more than human, he liked to hang out in punk joints & coffee houses like Nouveau Expresso & 90 Night—funky little clubs where young radicals & Post Beat post-hip poets & punk musicians gather for mutual ego massage or to have their philosophies styled in the latest fashion. In that previous life, Slice was an angry young poet known as “The Bard of Bones,” because he always wore his hand-tooled leather-&-bones outfit when he read his mad poetry in public. T-bones, chicken bones, porkchop bones, dog bones, cat bones (painted black), squirrel skulls, a human femur, all rattling musically as he moved about like a demented witch doctor, mouthing his bone-chilling poems & death hymns. His outfit was topped off with a spooky hoodoo headdress made of a cow’s skull & hung with chicken feet & bird feathers. He strutted his killer stuff & the tight little pussies in the audience (those with the kinkier libidos that flamed darkly to the spark of his hellcoals-&-gris-gris laden rap) would get wet & squirmy, aching for that big bone bulging beneath his loincloth. The Bard of Bones got a lot of pussy in those days.
Then came his Bloodbone Poems & his subsequent arrest on obscenity obsession with sordid sex, urban bloodbath & megaviolence. Neither did they appreciate his state-of-the-art collection of S&M, fetishist & bondage zines. Their bootheels & balled-fists-in-the-gut made that rather clear …
He was convicted, placed on probation & ordered to undergo psychiatric counseling. He enjoyed the cat-&-mouse mindgames he played with the shrink, entertaining private fantasies of extremely creative carnage. The drawback was that he lost interest in writing poetry. But he convinced Dr. Howard (who looked too much like Moe of the Three Stooges) that he had no desire to perform in public again. The baggy-eyed quack never scratched the surface of his mind’s core—that dark chamber of id-horrors inhabited by a psyche blown wild by storms of evil. The stupid shrink never even caught a glimpse of the bloodlust boiling behind those hooded eyes. His Freudian flimflam was a total flop. The Bard of Bones became “Slice” right under Herr Doktor’s big nose, & now he is someone else—
He blows into 90 Night like a storm-building thunderhead.
“Bones! Is that you, man?” squeaks a rat-faced faggot.
Slice shakes his head.
He picks up the sultry scent of choice prey.
His bootknife shifts against his ankle.
A pretty drag queen is sitting on a stool, reading into the mike a long poem about the gay plague.
Slice slinks across the room & sits at a vacant table. A butch lesbian wearing a dildo on a rope around her neck looks into his face, then quickly looks away. He can imagine what she saw there: saw him stuffing that dildo dick down her fucking throat, fucking her with it till blood filled up the torn crater of her mouth.
The queen on the stool ends his epic by ripping off his blonde wig & spinning around on the stool to reveal a death’s-head mask on the back of his head. The audience applauds & cheers. Slice hawks up thick phlegm from the back of his throat & spits the blue glob on the floor, causing three punks at the next table to look in disgust at him & move to another table.
The scent comes in stronger.
Something dark & powerful stirs in his belly & groin.
A prettyboy MC steps to the mike & says: “Ladies & gentlemen—Miss Phaedra Flame!”
The prey mounts the stage. The black sheen of her long hair, the black body stocking & black lip gloss accent her milk-white face.
A demonic grin sharpens the predator’s face.
Phaedra Flame holds up a slim red-bound book, & says, “These are my Torch Poems.” She holds up a blowtorch in her other hand & a tongue of fire licks at the book. Then flames engulf the book, & she tosses it into a bucket of water. “I hereby proclaim the death of the printed word!”
The audience whistles & cheers.
“Now I do real poetry,” Phaedra says with a sly smile.
From the Olympus of his heightened blue awareness, the new god Slice looks down upon the roomful of ragged mortals & savors the coming creation.