Necro Files: Two Decades of Extreme Horror

The elderly couple guided him back to the cavern entrance, took him through the sound baffles, helped him maneuver through the dancing crowds in the outer club. At the steel double door entrance to the club, the couple released him.

“You come right back when you’re feeling better,” the woman said. She smiled, and cracks widened in the caked make-up covering her face.

“We’ll be here another couple of nights,” said the old man. He patted Tony’s shoulder in an amiable, fatherly way. His breath was stale, like the air in a den abandoned by a predator. “Of course, you can always come along when the place moves. There’s always a need for help. Lots of turnover, you know.”

The couple looked to each other and laughed as they gently pushed him to the doors. Tony leaned against metal, felt it give, and found himself in a hallway under a single bright light bulb.

There was the taste of ash in his mouth as he made his way back to the loading docks. Exhaustion made him rest for a few moments on the stairs, but the faint echo of Painfreak’s dance music finally drove him on. He passed no one on his way out to the loading dock, where the rain had stopped and dawn had lightened the sky. The ground was still wet, the air humid. Tony glanced over his shoulder at the warehouse entrance. The two doormen returned his gaze. Behind them, Guy hung upside down, suspended by his feet on a length of chain, swinging back and forth like a clock pendulum.

“Do you feel it?” Guy asked, his voice pitched high, almost hysterical.

And in that moment, the emptiness within him opened up like a bottomless well. Tony felt himself standing by the well, leaning out over the edge, wind whistling by his ears. He licked his lips, searching for the taste of blood. His erection strained as if it wanted to break out of its confines and search for satisfaction.

“You want it?” Guy teased. “Tell me what that’s like, to want it. To want the nothingness. The extinction. Tell me first, what that emptiness is like. It’s so hard when you’re in it to understand. Tell me what the void is like, from the outside. Then tell me what it feels like to want it.”

“Tomorrow night,” Tony answered, his voice quavering. After you show me the games I’ll really like. After I become a player.

“Tomorrow night, sir,” the Asian doorman replied, with a slight bow. Guy was gone.

Tony went back to his car and drove home. He did not bother picking up his mail or answering his telephone messages. Though his fear was gone and he was tired, he still had trouble falling asleep. Excitement kept him up, until he began to relax as he gently stroked the back of his left hand with his thumb. Slowly, he fell asleep while caressing Painfreak’s invisible marks on his flesh.

Lover Doll

Wayne Allen Sallee

“Lover Doll” was first published in Little Deaths, edited by Ellen Datlow and published by TOR in 1994.

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Wayne’s most recent collection is Fiends By Torchlight

, which was published by Annihilation Press in 2007, and one of the original stories, “High Moon,” will be reprinted in Best Horror of The 21st Century: The First Decade (Wicker Park Press). “Rail Rider” appeared in J. N. Williamson’s The Illustrated Masques (Gauntlet Press), and his novel, The Holy Terror, and a collection from 1995, With Wounds Still Wet, are available on Kindle (CrossRoads Press). His meta memoir, Proactive Contrition, and Can I End Now?

are both exclusive works published in Germany by Blitz Verlag. He is currently writing a crime novel, City With No Second Chances, and a series of dystopian stories with their beginnings set in the recent future fraught of our current political climate. His website is www.wayneallensallee.com and his blog is www.frankenstein1959.blogspot.com.

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This is my favorite story in that the first part is almost entirely true, drawn from my childhood in the Humboldt Park neighborhood of Chicago.

She is asleep.

It is Memorial Day 1994, and perhaps it is fitting that I dwell on my past. Our past.

I stare out the window, the one facing east. Where dawn will eventually take away the night with cancerous washes of summer sun and lake breezes. The plasma-coloured digital clock blinks in three-second intervals. It is 4:57 a.m.