Nemesis

And yet; within a metropolis that masqueraded as a continent, there were a myriad of ghost rooms and secret places. There were corners where the light did not fall – some of them created for just that purpose.

There was a chamber known as the Shrouds. Inside the confines of the Inner Palace, if one could have gazed upon the schematics of those bold artisans who laid the first stones of the gargantuan city-state, no trace of the room or its entrances would have been apparent. To all intents and purposes, this place did not exist, and even those who had need to know of its reality could not have pinpointed it on a map. If one could not find the Shrouds, then one was not meant to.

There were many ways to the chamber, and those who met there might know of one or two – hidden passageways concealed in the tromp l’oeil artworks of the Arc Galleries; a shaft behind the captured waterfall at the Annapurna Gate; the blind corridor near the Great Orrery; the Solomon Folly and the ghost switch in the sapphire elevator at the Western Vantage; these and others, some unused for centuries. Those summoned to the Shrouds would emerge into a labyrinth of ever-shifting corridors that defied all attempts to map them, guided by a mech-intellect that would navigate them to the room and never twice by the same route. All that could be certain was that the chamber was atop a tower, one of thousands ranged in sentry rows across the inner bulwarks of the Palace, and even that was a supposition, based on the weak patina of daylight allowed to penetrate the sailcloth-thick blinds that forever curtained the great oval windows about the room. Some suspected that the light might be a deception, a falsehood filtered through trick glass or even totally simulated. Perhaps the chamber was deep underground, or perhaps there were more than one of them, a suite of dozens of identical rooms so exacting in similarity that to tell them apart would be impossible.

And once within, there was no place on Earth more secure, save for the Emperor’s Throne Room itself. None could listen in upon words spoken in a place that did not exist, that could not be found. The walls of the chamber, dark mahogany panels adorned with minimalist artworks and a few lume-globes, concealed layers of instrumentality that rendered the room and everything in it completely dead to the eyes and ears of any possible surveillance. There were counter-measures that fogged radiation detection frequencies, devices that swallowed sound and heat and light, working alongside slivers of living neural matter broadcasting the telepathic equivalent of white noise across all psychic spectra. There was even a rumour that the chamber was cloaked by a field of disruption that actually dislocated local space-time by several fractions of a second, allowing the room to exist a heartbeat into the future and out of reach of the rest of the universe.

In the Shrouds there was a table, a long octagon of polished rosewood, and upon it a simple hololithic projector casting a cool glow over the assembled men and women gathered there. In deep, comfortable seats, six of them clustered around one end of the table, while a seventh sat alone at the head. The eighth did not sit, but instead stood just beyond the range of the light, content to be little more than a tall shape made up of shadows and angles.

The seven at the table had faces of porcelain and precious metals. Masks covered their countenances from brow-line to neck, and like the room they were in, these outer concealments were far more than they appeared. Each mask was loaded with advanced technologies, data-libraries, sensoria, even microweapons, and each had a different aspect that was the mirror of its wearer; only the man at the head of the table wore a face with no affectation. His mask was simple and silver, as if it had been carved from polished steel, with only the vaguest impression of a brow, eyes, a nose and mouth. Reflected in its sheen, the panes of information shown by the hololith turned slowly, allowing everyone in the room to read them.

What was written there was damning and disappointing in equal measure.

‘Then he is dead,’ said a woman’s voice, the tone filtered through a fractal baffle that rendered her vocal pattern untraceable. Her mask was black and it fit skin-close, almost like a hood made of silk; only the large oval rubies that were her eyes broke the illusion. ‘The report here makes that clear.’

‘Quick to judge, as ever,’ came a throaty whisper, similarly filtered, from a motionless mask that resembled a distended, hydrocephalic skull. ‘We should hold for certainty, Siress Callidus.’