Охотники за сокровищами

• Linklater Eric. The Art of Adventure. London: Macmillan & Co, Ltd., 19 47.

• L"ohr, Hanns Christian. Das Braune Haus der Kunst: Hitler und der “Sonderauftrag Linz”.Berlin: Akademie Verlag, 2005.

• Majdalany, Fred. Cassino: Portrait of a Battle. London: Cassell & Co., 1999.

• Methuen, Lord. Normandy Diary: Being a Record of Survivals and Losses of Historical Monuments in North– Western France, Together with Those in the Island of Walcheren and in That part of BelgiumTraversed by 21st Army Group in 1944–45. London: Robert Hale Limited, 1952.

• Nazi Conspiracy and Aggression, Vol. III. Washington, DC: U. S. Government Printing Off ce, 1946.

• Nicholas, Lynn. The Rape of Europa. New York: Vintage, 1995.

• Petropoulos, Jonathan. Art as Politics in the Third Reich. Chapel Hill: University of North Carolina Press, 1996.

• Petropoulos, Jonathan. The Faustian Bargain: The Art World in Nazi Germany. Oxford University Press, 2000.

• Pi~na, Leslie A. Louis Rorimer: A Man of Style. Kent, OH: Kent State University Press, 1990.

• P"ochm"uller, Dr. Ing. Emmerich. Welt– Kunstsch"atze in Gefahr. Salzburg: Pallas-Verlag, 1948.

• Puyvelde, Leo van. Van Eyck: The Holy Lamb. London: Collins, 1947.

• Rayssac, Michel. L’Exode des Mus'ees: Histoire des Oeuvres d’Art Sous l’Occupation. Paris: Editions Payot & Rivages, 2007.

• Report of the American Commission for the Protection and Salvage of Artistic and Historic Monuments in War Areas. Washington, DC: U. S. Government Printing Off ce, 1946.

• Riedl-Dorn, Christa. Das Haus der Wunder: Zur Geschichte des Naturhistorischen Museums in Wien. Wien, Austria: Holzhausen, 1998.

• Rorimer, James J. Survival: The Salvage and Protection of Art in War. New York: Abelard Press, 1950.

• Roxan, David, and Ken Wanstall. The Rape of Art. New York: Coward-McCann, 1964.

• Sasser, Charles W. Patton’s Panthers: The African– American 761st Tank Battalion in World War II.New York: Pocket Books, 2005.

• Schrenk, Christhard. Schatzkammer Salzbergwerk: Kulturg"uter "uberdauern in Heilbronn und Kockendorf den Zweiten Weltkrieg. Heilbronn, Germany: Stadtarchiv, 1997.

• Schwarz, Birgit. Hitlers museum: Die Fotoalben Gem"a ldegalerie Linz. Vienna: B"ohlau Verlag, 2004.

• Sereny, Gitta. Albert Speer: His Battle with Truth. New York: Alfred A. Knopf, 1995.

• Shirer, William L. Berlin Diary: The Journal of a Foreign Correspond e n t : 19 3 4 – 19 41. Norwalk, CT: The Easton Press, 1991.

• Shirer, William L. The Rise and Fall of the Third Reich: A History of Nazi Germany, Volumes I and II. Norwalk, CT: The Easton Press, 1991.

• Sigmund, Anna Maria. Die Frauen der Nazis. Munich: Wilhelm Heyne Verlag, 2000.

• Simon, Matila. The Battle of the Louvre: The Struggle to Save French Art in World War II. New York: Hawthorne Books, 1971.

• Simpson, Elizabeth, ed. Spoils of War. New York: Harry N. Abrams, 19 9 7.

• Skilton, John D., Jr. Defense de l’art Europ'een: Souvenirs d’un off cier am'erican “Sp'ecialiste des Monuments”.Paris: Les Editions Internationales, 1948.

• Smyth, Craig Hugh. Repatriation of Art from the Collecting Point in Munich after World War II. New Jersey: Abner Schram Ltd., 1988.

• Speer, Albert. Inside the Third Reich. New York: Macmillan, 1970.

• Spotts, Frederic. Hitler and the Power of Aesthetics. Woodstock and New York: Overlook Press, 2002.