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16

CAPTURED IN CHARCOAL

NEW ORLEANS

CLUB HELL

VON TOSSED THE LAST bruised and battered intruder—a dude with GQ cheekbones wearing a sleek European suit—onto the pile of black garbage bags heaped up in the gutter in front of the pizza place next door. One of which split open, its decaying contents spilling out in a stinking sludge of garlic, spoiled sausage, coffee grounds, and rotting lettuce.

Gasping for air, Cheekbones staggered up to his feet and began brushing frantically at his suit.

“Haul ass,” Von suggested in a low growl.

Cheekbones looked around and, realizing he was alone, set off in a stumbling run down the narrow street. Something white fell from his pocket, floating to the street, a pale leaf.

“What’s that?” Merri asked.

“Dunno.”

Von stepped off the curb, walked out into the street, and picked up a folded sheet of paper—thick paper, like an artist would use. A sketch, maybe. A dark, vanilla-spiced tobacco odor permeated the paper, an odor that reminded him of the cigarettes that Vincent seemed to chain-smoke. Although he didn’t see the Magazine Street lord often, every time they had crossed paths, Vincent had been puffing away on one of the Pink Elephants he favored.

And Vincent was an artist.

Straightening, Von unfolded the paper. And realized with a sharp pang as he stared at the oh-so-familiar face it revealed, that the Magazine Street lord was not only an artist, but a damned good one.

The sketch also revealed why Mauvais’s crew had broken into the club—they believed Dante and Vincent friendly enough to play artist and model.

Dante in charcoal—his eyes closed, jaw tight, caught in the act of wiping a dark trickle of blood from his nose with a hoodie sleeve, moonlight glinting from the ring in his collar.

A simple drawing, not yet completed, or so it looked to Von, but somehow Vincent had managed to capture not only Dante’s beauty, tension, and pain in bold strokes of gray and black, but had symbolized in that casual swipe of a hoodie sleeve the quiet will that kept Dante on his feet, kept him moving, kept him fighting.

At the bottom of the sketch, printed in charcoal letters: Secrets.

Von reached for Dante. <Keep fighting and stay stubborn, you sonuvabitch, or I’ll kick your ass when I find you. Kick your ass into tomorrow.>

But all Von received was more silence prickling with barbed-wire pain.

“Is that Dante?” Merri asked as she joined him out in the street, her scent electric with interest. She’d only seen Dante in photos, Von realized, had never met him.

“Yup,” Von replied, his voice rough. He quickly folded up the sketch, then slipped it into his jacket pocket. “Vincent’s work.”

“You never mentioned he was an artist.”

“Never mentioned a lot of things.”

“True,” Merri said without rancor. “The sketch—is that normal? I mean, does Dante often get nosebleeds during what I’m guessing to be a killer headache?”

Von hesitated for a moment, then said, “Normal for Dante, yeah.”

“Christ. Sorry to hear that.”

Returning to the sidewalk, Merri paused in front of the club’s battered green shutter-style doors and lit up one of her clove cigarettes. They were alone. Silver was inside, salvaging what he could from his room and keeping an eye on Thibodaux.

“So spill, nomad. Let’s hear what you didn’t want to say inside about your artist friend.”

Lucien’s old-school Chevy van with its blacked-out side and back windows was parked at the curb, so Von rested his back against it. He folded his arms over his chest, bomber jacket creaking. “Vincent ain’t my friend.”

“I’m hearing history . . .”

“Just the usual. Two cocky bastards. One town. Yada, yada. Not to mention that Vincent was playing two sides—namely, Dante and goddamned Guy Mauvais—against the middle.”

“The Lord of New Orleans?” Merri questioned, frowning. “He’s the mofo who ordered the house you all lived in torched, killing your friend in the fire, right?”

“Simone, her name was Simone,” Von said, voice harsher than he’d intended. “And, yeah, Mauvais was the one. He also had Dante grabbed and held long enough to ensure he couldn’t do a damned thing about it.” He shook his head, throat too tight for words.

But we felt her burn. Felt the fire devour her. Heard her screams.

“Shit,” Merri said. “Then what happened?”

“Lake Pontchartrain.”

“Tell me,” she said softly.

“Is your nosiness natural or something the SB trained into you?”

Merri snorted. “I’m a born snoop, nomad. Get used to it.”

“Nosy and full of sass,” Von observed, grinning. “I like that in a woman.”

Merri laughed, shook her head. “Shee-it. Look, no need to play the old flirtation distraction game with me. If you don’t want to tell me about what happened at Lake Pontchartrain, no problem.”

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Я думала, что уже прожила свою жизнь, но высшие силы решили иначе. И вот я — уже не семидесятилетняя бабушка, а молодая девушка, живущая в другом мире, в котором по небу летают дирижабли и драконы.Как к такому повороту относиться? Еще не решила.Для начала нужно понять, кто я теперь такая, как оказалась в гостинице не самого большого городка и куда направлялась. Наверное, все было бы проще, если бы в этот момент неподалеку не упал самый настоящий пассажирский дракон, а его хозяин с маленьким сыном не оказались ранены и доставлены в ту же гостиницу, в который живу я.Спасая мальчика, я умерла и попала в другой мир в тело молоденькой девушки. А ведь я уже настроилась на тихую старость в кругу детей и внуков. Но теперь придется разбираться с проблемами другого ребенка, чтобы понять, куда пропала его мать и продолжают пропадать все женщины его отца. Может, нужно хватать мальца и бежать без оглядки? Но почему мне кажется, что его отец ни при чем? Или мне просто хочется в это верить?

Катерина Александровна Цвик

Любовное фэнтези, любовно-фантастические романы / Детективная фантастика / Юмористическая фантастика