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When he peered through one of the archways, he saw goats and cattle in the yard, wrangled by an old peasant with a red kerchief on her head and a crook in her hand. Yet this was the city that had defeated the Hitlerites and stormed Berlin! What pride he felt in the greatness of his Motherland, what horror at its cruelties. The old hag squatted to piss, still with a cigarette between two stumps of teeth. Andrei sighed: he loved his Moscow. He was almost home.

He turned into the next archway, walked into the courtyard through the vegetable gardens planted amongst the heating pipes, and then entered the doorway of a 1930s apartment block. He climbed the concrete stairs with its fermented vegetable smell of shchi soup and vinegary urine to the second floor where he shouldered open the door of their apartment. A radio was on, Levitan was reading the news in his authoritative, sonorous voice and there was a row going on. In a corridor that had neither carpet nor paint, Ivanov, a middle-aged scientist from Rostov, was screaming at one of the skinny Goldberg children: ‘You little cockroach, you drank my milk. I’ll report you to the committee. I’ll have you slung out of here…’

The door to the left opened and the stink of fresh human dung made Andrei’s eyes water even before Peshlauk, an antique but indestructible colossus, staggered out, pulling up his giant-girdled trousers. ‘I’ve delivered a veritable baby in there!’ he boasted.

Another of the Goldberg children – how many were there: four, five? A plague of undernourished rats – shoved past Andrei. ‘Hey, don’t push me,’ he said, but then he remembered that no one in the Soviet Union respected personal space. Everyone existed in a state of neurotic anxiety, but as his mother always told him: The key to survival is to be calm and save yourself. Never ask anyone what they did before and what they’re doing next. Never speak your mind. And make friends wherever you can.

‘Mama!’ Andrei went into their little room with its two campbeds packed close together. It often smelled like a rabbit hutch but it was in Moscow and it was theirs.

‘Just close the door,’ said Inessa, who lay on her bed, reading about the Japanese war in Pravda. The European war was over and now Stalin was in on the kill of Japan. She patted the bed next to her. ‘Tell me about the school.’

‘Have you got any food?’

‘Of course, Andryusha. You must be so hungry. Cheese and black bread. Have a look in Aladdin’s Cave.’

Andrei climbed over the other bed and, crouching down, edged a breeze-block out of the wall and brought out the cool cheese. Their apartment had no fridge. In winter they kept their milk fresh by hanging it out of the window, but in summer, this was the best way to preserve perishables, as well as keeping it out of the hands of the Goldberg children or Peshlauk’s churning bowels.

Inessa smiled weakly as she watched him eat and when he’d regained his energy, he beamed at her.

‘Good news, Mama! I’m accepted into the school and my fees are paid!’

‘Oh darling.’ She hugged him, and then looked anxious. ‘Who by? What’s going on?’

Andrei told her exactly what had happened, and watched as his mother’s uneasiness cleared. Surely this was evidence of a new era? And a new era meant the return of Andrei’s father.

‘Andrei,’ she whispered, moving closer to him. ‘Do you think…’

‘Don’t think, Mama. How often have you told me that?’

‘Yes, but…’

‘Don’t hope, because if we’re disappointed again, it’ll kill us one more time.’

She nodded, and dabbed her eyes. Quickly, to change the subject, he told her about the school: about the director, and Dr Rimm – yes, every school had a few of those – and then he described the literature teacher Golden. ‘I’ve never had a lesson like that. It was such fun. He brought it to life and there was something in the way he talked about poetry…’

‘A teacher like that in a school like yours… something’s really changing,’ she said.

‘And, Mama, he said he’d only just returned to Moscow too.’ She was about to ask more about Golden but by now, he was describing Serafima (her eyes, the way she dressed), the airy swagger of George, and creepy Nikolasha and his Gothic retainers, Vlad and Rosa.

‘Be careful of these princelings,’ Inessa was telling him. ‘Factions are dangerous, Andrei. Remember whose children they are…’

But Andrei wasn’t listening: he was already on his way to the bathroom with his satchel. No one was in there because no one in their right mind would visit it after Peshlauk – but he didn’t care.

He locked the door. He could actually taste the shit in the air and he didn’t dare look down into the bowl, but just sat on the edge and, like a miner who has stolen a diamond, he pulled out his treasure, titled the Velvet Book of Love. It was just a plain exercise book with velvet glued on to the covers. But it was new and Nikolasha had only just started writing in it.

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Роман известного советского писателя, лауреата Государственной премии РСФСР им. М. Горького Ивана Ивановича Акулова (1922—1988) посвящен трагическим событиямпервого года Великой Отечественной войны. Два юных деревенских парня застигнуты врасплох начавшейся войной. Один из них, уже достигший призывного возраста, получает повестку в военкомат, хотя совсем не пылает желанием идти на фронт. Другой — активный комсомолец, невзирая на свои семнадцать лет, идет в ополчение добровольно.Ускоренные военные курсы, оборвавшаяся первая любовь — и взвод ополченцев с нашими героями оказывается на переднем краю надвигающейся германской армады. Испытание огнем покажет, кто есть кто…По роману в 2009 году был снят фильм «И была война», режиссер Алексей Феоктистов, в главных ролях: Анатолий Котенёв, Алексей Булдаков, Алексей Панин.

Василий Акимович Никифоров-Волгин , Иван Иванович Акулов , Макс Игнатов , Полина Викторовна Жеребцова

Короткие любовные романы / Проза / Историческая проза / Проза о войне / Русская классическая проза / Военная проза / Романы