Other Earths (collection)

“Danh tu?” I said, pointing to her chain. I went through several variant pronunciations before she grasped my meaning. She said something in Vietnamese and mimed plucking something from a hip pocket.

“Okay, I get.” She made a keep-cool gesture. “I get.”

I bandaged my hand, and as I secured the bandage with tape, the fat man, emerging from the safe harbor of shock, began pleading for God’s help, babbling curses, lapsing now and again into a fuming noise. Bian selected a record, fitted it onto the spindle, and his outcries were buried beneath the strings and fauxpomp of “MacArthur Park.” The music started my head to pounding, but it was preferable to hearing the fat man groan.

The sky had opened up, and rain was falling, a steady downpour that would last a while. I saw no reason to hang around. I repacked my rucksack and nodded to Bian, who responded in kind and gazed out the door, tapping a finger in time to the beat. As I walked down a weedy slope toward the park ranger’s shack, I could find in myself no hint of the profound emotion that was supposed to come with taking a life, with having violated this most sacrosanct and oft-breached of taboos, and I pondered the question of whether I would feel the same if I had killed a non-Cradle. I’d had a bond of sorts with the fat man, yet I had a minimal reaction to his death, as if the life I’d taken were mine by rights, thus negligible …though he might not be dead. Another song, “Nights In White Satin,” began to play, presumably to drown out his cries; yet I thought Bian might be unmindful of his condition and was simply luxuriating in the lush, syrupy music that she had taken refuge in during her months of enslavement. I marveled at the calmness she displayed upon exchanging captivity for freedom. Perhaps it was an Asian thing, a less narcotized appreciation of what Riel had known: Someone was always using you, and thus freedom and captivity were colors we applied to the basic human condition. Perhaps what was a clich’ in our culture bespoke a poignant truth in hers.

Writers tend to romanticize the sordid. They like to depict a junkie’s world, say, as edgy, a scraped-to-the-bone existence that permits the soul of an artist to feel life in his marrow and allows him to peer into the abyss. Many of them believe, as did Rimbaud, or at least tout the belief, that derangement of the senses can lead one to experience the sublime; but for every Rimbaud there are countless millions whose senses have been deranged to purely loutish ends, and I am inclined to wonder if le poete maudit achieved what he did in spite of drugs and debauchery, not because of them. Whatever the case, I was convinced, thanks in part to the example set by my gargantuan pod brother, that the sordid was merely sordid. I might be disagreeable and sarcastic, but my efforts to bring forth my inner Cradle had been pretty feeble: kinky sex and a smattering of mean-spirited thoughts. Those were minor flaws compared to murder and enslavement. If the trait for which the “animal” needed us had anything to do with our innate repulsiveness, that might explain why I felt its call less profoundly than the others.

It was midafternoon when I set out for the tea forest in a motor launch left by (if the fat man were to be believed) one or another returning Cradle, with the rain falling hard, drenching my clothes, and the sky as dark as dusk. Rain pattered on the launch, hissed in the reeds, and had driven to roost the birds that—so my guidebook attested—normally stalked the wetlands. I followed a meandering watercourse through marshes toward a dark jumbled line in the distance. My head was bothering me. I felt cloudy, vague, gripped by a morose detachment, and assumed I had suffered a mild concussion. Images of Kim, of Lucy and Riel (most of them erotic in nature), were swapped about in my head, as were concerns about the new novel, about my health, about what would happen now that the end of the journey was at hand, and a belated worry that Bian would report me for killing her captor. However, as I drew near the forest, a feeling of glory swept over me. I was on the brink of doing something noble and essential and demanding self-sacrifice. The feeling seemed to come from outside myself, as if—like mist—it surrounded the forest in drifts through which I was passing, emerging now and again, returning to my confused state.