We started going out at night into the neon-braided streets of central Phnom Penh, putting on one-act plays in the thick, hothouse air, treating that city of a million souls as if its mad traffic and buzzing motos, its brutal history and doleful present, were merely a backdrop for our entertainments. We, or rather Lucy and Riel, sought out fortune-tellers, those who lined the riverbank by day, when the parks were thronged with tai chi practitioners and tourists and badminton players, and by night, when the poor gathered with their children to squat along the embankment eating boiled eggs and fried beetles, and the prosperous fortune-tellers with fancy booths at Wat Phnom, their altars adorned with strings of Christmas tree lights, candles, incense, and bowls of fruit, and cluttered with porcelain sages, Ramayana monkeys, Buddhas with holographic halos sheltering beneath gilt parasols …A more generous writer might have inferred that this profusion of seers and charlatans was but a veneer masking the rich spiritual life of the populace, always in communion with the city of ghosts that interpenetrated with and cast a pall over the city of blood and stone; and yet it meant nothing to me, or, to be accurate, it might someday provide the background detail for a story, and if a host of sad phantoms had materialized before me, creatures with bleak, negative eyes and bodies of lacy ectoplasm, I would have taken due notice and then done my best to ignore them, being consumed by other mysteries. We shooed away beautiful lady-boys and Cambodian kids with dyed Mohawks who were trying to prove something by bumming cigarettes from Americans, and we discouraged the taxi girls who came at platoon strength from alley mouths and bars, girls in their teens and maybe younger, chirping slogans from the hookers’ English phrase book and then retreating in sullen disarray, chiding one another in singsong Khmer for being too aggressive or not aggressive enough. We disregarded the entreaties of ragged amputees and blind men with bowls, and we ate hallucinatory food from stalls, bugs and guts and whatnot, and inspected vendors’ wares—the arms dealers were of especial interest to me. They commonly operated on street corners (some nights, in certain quarters, there seemed to be one on almost every corner) and offered a wide selection of hand-guns and ammo, the odd assault weapon—hardly surprising in a country where you could, I’d been told, blow away a cow with a rocket launcher for a fee of two hundred dollars, less if you were prepared to haggle. I saw in them the future of my own country, where death was celebrated with equal enthusiasm, although candy-coated by Technicolor and video games and television news. When the coating finally wore off, as it threatened to do, there we would all be, in Cambodia.
As we strolled along Street 51 one night, after a late supper at a grand old colonial hotel on the riverfront near Wat Phnom hill, we happened upon a blue wall bearing the painted silhouette of a girl flying a kite, a Beardsley-like illustration; beside it were the words
HEART OF DARKNESS BAR. In addition, there was a painting on the door very much like the mural on the market stall in Stung Treng. I wanted to check the place out, intrigued by the mural, by the name of the bar and the juxtaposed irony of the sign, but Lucy said it was dangerous, that the Coconut Gang hung out there, and someone had recently been murdered on the premises.
“What’s a Coconut Gang?” I asked.
“Rich assholes. Khmer punks and their bodyguards. Please! Let’s go somewhere else.”
“All I want is to have a quick look.”
“This is no place to play tourist.”
“I’m not playing at anything. I’m a writer. I can use shit like this.”
“Yes, I imagine being shot could prove an invaluable resource. Silly me.”
“Nothing like that’s going to happen.”
“Do you have the slightest idea of where you are? Haven’t you noticed this is a hostile environment? They don’t care if you’re a bloody writer. They don’t discriminate to that degree. To them, you’re simply an idiot American poking his nose in where it’s not wanted.”
A smattering of Cambodians had paused in their promenade to kibbitz, amused by our argument. Feeling exposed, I said, “All right. Fine …whatever. Let’s just go, okay?”
Lucy looked around. “Where’s Riel?”