Passage

Above them, Kit slammed a drawer shut, and Mr. Briarley said, as if the sound had been a question, “Nothing can save you, not youth or beauty or wealth, not intelligence or power or courage. You are all alone, in the middle of an ocean, with the lights going out.”

Above, Kit shut a door, pattered into the hall. She would be down any minute. There was no time to wait.

“Why did he see the Titanic when he was dying?” Joanna asked, and Mr. Briarley turned and looked at her in surprise.

“He didn’t,” he said. “He saw death.”

Death. “And it looked like the Titanic,” Joanna said.

“And it looked like the Titanic.”

Kit appeared in the door. “I heard you talking,” she said. “Did you find it?”

36

“7 a.m. sailing today Thursday on Titanic on her maiden trip, to New York, her first trip on the Atlantic. Goodbye. Love, P. D.”

—Postcard sent by Patrick Dooley to Mary Tonnery from Queenstown

Joanna wasn’t even sure of how she got back to the hospital. She had wanted only to get away, to escape what Mr. Briarley had told her, and what she might tell Kit.

“What’s wrong?” Kit had said after one look at her face. “What’s happened?”

“Nothing,” Joanna had said, trying to keep the knowledge out of her face. “I didn’t find the textbook.” Kit had come into the library and was standing in front of the banked pictures, so that the photo of Kevin smiled over her shoulder. I can’t tell her, Joanna had thought. I can’t let her find out. “I have to go,” she’d said and gone out into the hall.

“Uncle Pat didn’t say something, did he?” Kit had said anxiously, following her to the door. “He sometimes says terrible things, but he doesn’t mean them. They’re part of his illness. He doesn’t even know he says them.”

“No,” she’d said, trying to smile reassuringly. “He didn’t say anything terrible.” Only the truth. The terrible, terrible truth.

There was no question of its being true, even though, listening to him, she had felt no sudden “Eureka!,” no epiphany, only a feeling of dread. A sinking feeling, she thought, and her lips twisted. How appropriate. What had Mr. Briarley called it? The very mirror image of death.

Which was why it had resonated down through the years. All disasters — Maisie’s Hindenburg and Pompeii and the Hartford circus fire — had some of the attributes of death, its suddenness or its panic or its horror, but the Titanic had them all: courage and destruction and casualness and a dreadful confluence of coincidence and culpability, terror and gallantry and despair.

The tragedy of the Titanic was both sudden and slow — the impact with the iceberg as unexpected as a car accident, as a stroke. But it was also endless, the passengers sitting quietly on deck chairs after all the boats were gone or playing bridge in the smoking room, like patients in nursing homes, in the oncology ward, waiting forever to die.

All the attributes. The injury that seemed minor at first — a lump, a shadow on the X rays, a cough — nothing to worry about. Modern medicine has made the ship nearly unsinkable, and the captain surely knows what to do.

She thought of Greg Menotti, protesting that he went to the health club every day even as the killing pain clamped his chest. Of Maisie’s mother, insisting the new drug was stabilizing Maisie’s arrhythmia. Of the men on the Titanic leaning over the railing and laughing down to the women in the boats: “We’ll see you at breakfast,” and, “You’ll need a pass to get back on, ladies.”

Denial, and then worry. The doctor’s scheduled an exploratory, the CAT scan shows progressive degeneration of cortical nerve cells, the deck is starting to list. But there’s still no indication that it’s really serious. There’s certainly no need for your brother to come, no need to put on a lifejacket or draw up a will, not with the decks still lit and the band still playing.

More denial, and then a frantic rush for the lifeboats, for chemotherapy, for a clinic in Mexico, and then, with the boats all gone, good-byes and a desperate clinging to deck chairs, religion, positive thinking, Mr. Mandrake’s books, a light at the end of the tunnel. But nothing works, nothing holds, because the whole ship is coming apart, breaking up, crashing — that’s why they call it a crash cart, Joanna thought suddenly — the body’s crashing, going under, going down, and the Titanic isn’t just a mirror image of dying, but of what happened to the body, because it didn’t die all at once any more than the person did, but by stages, the breathing coming to a stop, and then the heart and the blood in the veins, one watertight compartment after another flooding and spilling over into the next: cerebral cortex, medulla, brain stem, all faltering and flickering out, and in their final moments seeing their own end. The ship going down by the head.