Passage

Richard grinned. “He came in when I was working on the scans, which, by the way, did show that Amelia Tanaka had a lower level of activity at the endorphin receptor sites, and said he’d heard I had a new partner, and he hoped I hadn’t made a final decision yet because he had several excellent people he could recommend.”

“I’ll bet,” Joanna said, sticking A Will to Win in the VCR and fast-forwarding through the previews to the opening credits. She hit “pause.”

“He also said he hoped the partner I chose wouldn’t be ‘narrow-minded’ and ‘biased toward traditional, so-called scientific interpretations of the NDE,’ ” Richard said, “but would be ‘open to nonrationalist possibilities.’ ”

Joanna laughed.

“Well, you obviously can’t be talking about work,” Vielle said, appearing with two cans of Coke. She handed them to them. “What’s wrong with the movie?”

“Nothing,” Joanna said. “We were waiting for you.”

“Go ahead and start it,” Vielle said. “I’ll be right in. Sit down.”

They sat down on the couch. Joanna picked up the remote and unpaused the video, and they watched as a family gathered around the bedside of an old man. A nurse stood next to the bed, taking his pulse. “I’ve gathered you all here because I’m dying,” the old man said.

“Hey, Vielle,” Joanna called, “I thought this was supposed to be a death-free movie.”

“It is,” Vielle said, appearing in the door with the knife and a can of chiles. “Isn’t it?”

Joanna pointed to the screen, where the old man was clutching his chest and gasping, “My pills!”

“Oh, my God,” Vielle said, coming around the couch for a closer look. “The Blockbuster clerk told me this was a comedy.”

“It is,” Richard said. “I’ve seen a preview. The old man dies without telling them where he’s hidden his will, and all the heirs race around trying to find it.”

The old man began to gasp and wheeze. “Have to… tell you…” he choked out, and everyone, including the nurse, leaned forward. “…my will…”

“This would never happen,” Vielle said. “They’d have called 911 by now, and the whole bunch of them would be enacting this little scene in the middle of my ER.”

“Oh, that’s right, you work in the ER,” Richard said to Vielle. “I heard about the incident this afternoon.”

“What incident?” Joanna asked sharply.

“You’re breaking Dish Night Rule Number One,” Vielle said. “No discussing work.”

Joanna turned to Richard. “What did you hear?”

“Just that a woman high on this new drug rogue came in and was waving a razor around,” Richard said.

“A razor,” Joanna said. “Vielle, you have got to—”

“Finish making my dip.” She waved the knife at them. “Go on. Watch the movie. I’ll be right back.” She disappeared.

“Excuse me for a minute,” Joanna said and followed her into the kitchen. “Why didn’t you tell me about it?” she demanded.

“It’s Dish Night,” Vielle said, stirring chiles into the dip. “Besides, it was nothing. Nobody got hurt.”

“Vielle—”

“I know, I know, I’ve got to get out of there. Do you think we need a knife, or should we just dip?”

“We don’t need a knife,” Joanna said, giving up. Vielle handed her the plate of crackers and picked up the dip, and they went back into the living room.

“What’d we miss?” Vielle asked, setting the dip on the coffee table.

“Nothing,” Richard said. “I paused it.” He picked up the remote and pointed it at the screen.

“I’ve gathered… you here…,” the old man, lying against his multiple pillows, gasped. “…Don’t have long to live…” The family leaned forward like a pack of vultures. “Made a new will… hid it in… the…” He flung his arms out and fell back peacefully against the pillows, his eyes closed. The family exchanged glances.

“Is he gone?” one of the women said, sniffing phonily and dabbing at her eyes with a lace handkerchief.

“Movie dying,” Vielle sniffed, dipping a cracker in the deviled ham dip. It broke off.

“Movie dying?” Richard asked, scooping up dip with a cracker. It broke off, too.

“Meaning totally unrealistic,” Joanna said. “Like movie parking, where the hero is always able to find a parking place right in front of the store or the police station.”

“Or movie lighting,” Vielle said, digging cracker pieces out of the dip.

“Let me guess,” Richard said. “Being able to see in the middle of a cave in the middle of the night.”

“We should add a new category for this kind of thing,” Joanna said, gesturing at the screen, where the relatives were bickering across the old man’s body. “I mean, why do people in movies always say things like, ‘The secret is — arggghh!’ Or ‘The murderer is—’ Bang! You’d think, if they had something that important to communicate, they’d say that first, that they wouldn’t say, ‘The will is in the oak tree,’ they’d say, ‘Oak tree! Will! It’s in there!’ If I were dying, I’d say the important part first, so I wouldn’t run the risk of going ‘…argghh!’ before I managed to get it out.”