Perfume. The story of a murderer

When Grenouille came out of the arcades and mixed in with these people, they at first took no notice of him. He was able to walk up to the fire unchallenged, as if he were one of them. That later helped confirm the view that they must have been dealing with a ghost or an angel or some other supernatural being. Because normally they were very touchy about the approach of any stranger.

The little man in the blue frock coat, however, had suddenly simply been there, as if he had sprouted out of the ground, and he had had a little bottle in his hand that he unstoppered. That was the first thing that any of them could recall: that he had stood there and unstoppered a bottle. And then he had sprinkled himself all over with the contents of the bottle and all at once he had been bathed in beauty like blazing fire.

For a moment they fell back in awe and pure amazement. But in the same instant they sensed their falling back was more like preparing for a running start, that their awe was turning to desire, their amazement to rapture. They felt themselves drawn to this angel of a man. A frenzied, alluring force came from him, a riptide no human could have resisted, all the less because no human would have wanted to resist it, for what that tide was pulling under and dragging away was the human will itself: straight to him.

They had formed a circle around him, twenty, thirty people, and their circle grew smaller and smaller. Soon the circle could not contain them all, they began to push, to shove, and to elbow, each of them trying to be closest to the center.

And then all at once the last inhibition collapsed within them, and the circle collapsed with it. They lunged at the angel, pounced on him, threw him to the ground. Each of them wanted to touch him, wanted to have a piece of him, a feather, a bit of plumage, a spark from that wonderful fire. They tore away his clothes, his hair, his skin from his body, they plucked him, they drove their claws and teeth into his flesh, they attacked him like hyenas.

But the human body is tough and not easily dismembered, even horses have great difficulty accomplishing it. And so the flash of knives soon followed, thrusting and slicing, and then the swish of axes and cleavers aimed at the joints, hacking and crushing the bones. In very short order, the angel was divided into thirty pieces, and every animal in the pack snatched a piece for itself, and then, driven by voluptuous lust, dropped back to devour it. A half hour later, Jean-Baptiste Grenouille had disappeared utterly from the earth.

When the cannibals found their way back together after disposing of their meal, no one said a word. Someone would belch a bit, or spit out a fragment of bone, or softly smack with his tongue, or kick a leftover shred of blue frock coat into the flames. They were all a little embarrassed and afraid to look at one another. They had all, whether man or woman, committed a murder or some other despicable crime at one time or another. But to eat a human being? They would never, so they thought, have been capable of anything that horrible. And they were amazed that it had been so very easy for them and that, embarrassed as they were, they did not feel the tiniest bite of conscience. On the contrary! Though the meal lay rather heavy on their stomachs, their hearts were definitely light. All of a sudden there were delightful, bright flutterings in their dark souls. And on their faces was a delicate, virginal glow of happiness. Perhaps that was why they were shy about looking up and gazing into one another’s eyes.

When they finally did dare it, at first with stolen glances and then candid ones, they had to smile. They were uncommonly proud. For the first time they had done something out of love.

About the Author

PATRICK SUSKIND was born in Ambach, near Munich, in 1949. After a problem with his hands made it impossible for him to pursue his ambitions as a concert pianist, Siiskind enrolled in the University of Munich, where he studied medieval and modern history. His first play, The Double Bass, written in 1980, became an international success, performed in Germany, Switzerland, at the Edinburgh Festival, in London, and most recently at the New Theatre in Brooklyn. Mr. Suskind lives and writes in Munich.