Читаем Phaze Doubt полностью

The Hectare walked to the console, in its fashion: dozens of fat little tentacles or feet or caterpillar treads buzzed it along quite adequately. There was a chirrup, and the translator spoke. “We shall indulge the Game Computer.”

“Of course, sir,” Purple said, moving to take his place on the other side of the console. He did not look easy, for it was known that the computer could be pixyish in its selections, and if it had a grudge against Purple, he would be finished. Brown hoped it had no grudge.

The Hectare extended a tentacle and touched its side of the console. Then Purple nodded to Brown. “As my second, how would you recommend I play?”

“Thou canst consult openly?” she asked, surprised.

“Yes, the Hectare permits this. It can overhear, of course. What shall I select?”

“But the Game Computer won’t give you what you select!” she said, shifting into her Proton self, because that one was better conversant with the rules of technology.

“It might. So I had better choose well.”

She saw that he had the numbers: Physical, Mental, Chance, and Art. “Avoid Chance,” she said. “And I think avoid Physical, because it might steer it into a contest where tentacles are a decisive advantage. As for Mental—that too is chancy. So it should be Art, where the human interpretations probably still prevail.”

Words flowed across the screen. SO FATSO WANTS TO WAX ARTISTIC, AND THE BEM WANTS TO PLAY WITH MACHINES. VERY WELL, THIS TIME I SHALL HUMOR BOTH. YOU SHALL BECOME ARTISTS OF THE STAGE, WITH HU-MANOID ROBOTS AS ACTORS. SINCE YOU BOTH ARE ARTISTIC CRETINS, I WILL MAKE THE SETTING CRETAN. BEHOLD: THE PALACE OF KNOSSOS, 1550 B.C., WHOSE LABYRINTHINE PASSAGES AND CHAMBERS ARE AN EXCELLENT SETTING FOR A MYSTERY.

The chamber darkened and expanded, assuming the likeness of a great stone castle or palace whose hard walls were brightly painted and whose massive columns were both cylindrical and block-shaped. The pillars were slightly larger at the top than the bottom, enhancing the seeming scale of the building. The thing was a monument to the grandeur of a bygone age that stunned Brown. She knew that much of this representation had to be holographic, for there was no room within the Game Annex for it, but still it was awesome.

Now the Game Computer spoke through its speakers, its voice sounding artificial to only that degree it chose to indicate its origin. “The king has suffered an indisposition, and it has been determined that an attempt was made to poison him. Fortunately he consumed only a trace of the tainted food before his food-taster succumbed, so ceased immediately, and survived. It was determined that the poison was in the dates, and six residents of the palace had access to those dates in the prior day. These are therefore the six suspects. One of them is the guilty party, and will be proffered to the Minotaur for whatever pleasure the bull-headed brute cares to take before it consumes the person. It should be an excellent show, as the Minotaur has been restless lately, tossing his horns about. That is to say, horny. Three suspects will be with each player, and each player will make the case against one or more of the suspects of the other player. The victor will be the one who succeeds in condemning an opposing suspect. Choose your suspects.”

A curtain lifted on a stage that had not been evident before. On it stood an assortment of humanoid robots garbed in the costumes of the time: men with belts and codpieces, otherwise naked, and women with multitiered skirts and breast-baring boleros. Older men wore robes over their briefs, and older women shawls that were allowed to cover their open bodices. All were barefooted. Behind them, a great fresco showed a young man and a young woman engaged in the dangerous sport of bull-leaping, a prominent activity of the day. At the borders were pictures of ornate double axes, religiously significant.

Citizen Purple looked at the prospects. “Take first choice, sir,” he suggested to the Hectare. “I will settle for first move.”

The Hectare moved to the stage. Its tentacles extended and took hold of a lovely damsel whose skirt layers alternated colors: red, blue, white, and tan. Her black hair was bound with chains and beads, combs, and a band above the forehead. One lock passed before the ear to dangle down the side of her face. The Hectare lifted her high and carried her to the center of the set. “So BEMs do lust after femmes,” Tsetse murmured. “I don’t care to watch this.” She backed away, and in a moment was out the door. No one challenged her; if anyone other than Brown noticed her departure, that person didn’t care.

The girl-figure came alive. “Put me down, you monster!” she exclaimed, kicking her feet. She spoke in contemporary Proton dialect, not the ancient Cretan language; the Game Computer could go only so far.

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