Piecework

But he was still working at the end; trying to choose between a movie about Walter Winchell, a movie version of Chicago, probably with Madonna, or something completely new. During the summer, we talked a few times about his experiences during the Second World War, when he was a 17-year-old sailor working in an entertainment unit in the South Pacific; he was with the first Americans to enter Japan at the end of the war and was still horrified at the scale of the destruction in Tokyo and the stupidly brutal way so many American soldiers treated the Japanese, particularly the women. “It still makes me sick,” he said. “That was the first time I was really ashamed to be an American.” The contrast between the idealism of fighting the war and the morally corrosive realities of victory was a splendid setup for a Fosse movie, but Fosse was uneasy about it. “That world is gone, that music, the way people were.…Most of the country wouldn’t know what I was talking about.”

Now we’ll never know. The night after we all got the news, there was a small gathering at Gardner’s apartment, a kind of secular wake. Some wept; others told the old stories, with examples of Fosse’s dark humor; all were in shock, because Fosse had been looking better than at any time in years. Later, wandering through Broadway in the rain, I thought that for Fosse, who so perfectly expressed a certain vision of New York, the worst thing about dying in Washington might have been that he closed out of town.

VILLAGE VOICE,

November 3, 1987

PART VI POSITIO PAPERS

These are pieces about certain aspects of American society in the last decade of the century. They were written by an American liberal who had come to distrust all dogma, including liberal dogma. For me, liberalism must be tolerant, generous, intelligent, and humane or it is no longer liberal. If social systems created by liberals — the welfare system, for example — no longer function for the good of human beings, it is stupid to defend them simply because they have been entered into some aging liberal catechism. They must be changed, gradually and humanely, and replaced with something better.

It is also foolish for liberals to refuse to recognize uncomfortable truths. They need to look at racism as it exists now, not as it did while Martin Luther King was marching in the streets of the American South. They must identify and condemn white racism and black racism. They must separate the race hustlers from those seriously concerned about growth and progress. They must move beyond habits of complaint and blame to the creation of enduring solutions.

Above all, they must reject grim sectarianism, whether practiced by radical feminists, the Christian Coalition, or Louis Farrakhan. They must be wary of exclusively legalistic solutions to deep societal problems. They must laugh at any insistence that an individual human being can be completely explained by the group to which he or she belongs. Liberals can’t be the thought police or the speech police or the gender police. They can’t go around all day telling strangers to put out their cigarettes. They can’t call the district attorney to solve problems of manners. They have to lighten up. They have to recover the confident, exuberant style of the liberal America that once believed we could have justice and the racetrack too. They have to do it soon. The other guys are at the three-quarter pole and pulling away.

BLACK AND WHITE AT BROWN

PROVIDENCE, R.I.

When I was young and laboring as a sheetmetal worker in the Brooklyn Navy Yard, I sometimes imagined myself as a student on a college campus. This impossible vision of the Great Good Place was constructed from scraps of movies and magazine photographs, and was for me a combination of refuge and treasurehouse. The hard world of tenements and street gangs was replaced in my imagination with buildings made of red brick laced with ivy, and a wide, safe quadrangle where ancient oaks rose majestically to the sky. There was an immense library, offering the secrets of the world. The teachers were like Mr. Chips, at once stern, wise, passionate, and kind. And, of course, there were impossibly beautiful women, long of limb and steady of eye, talking about Fitzgerald or Hemingway, walking beside me on winter evenings with snow melting in their hair.

I never made it. I went to other schools of higher learning: the Navy, Mexico, newspapers. I had absolutely no regrets. But when I walked onto the campus at Brown University recently, that old vision came flooding back. There before me were the buildings, the trees, the open quadrangle that I had ached for as a boy. There were the lights, like molten gold, in the library. There were the fine young women. I wondered how anyone here could be unhappy.