Piecework

The reason wasn’t elusive. It is a classic error in logic — heightened into an ideological certainty by the New Victorians — to confuse correlation with causality. A survey may discover that 97 percent of heroin addicts consumed white bread in grade school, but that would not prove that white bread caused heroin addiction. Pornography, as defined by MacKinnon and Dworkin, may inspire a small percentage of men to experiment with more elaborate forms of their own preexisting sexual deviances. But it is just as likely that if they had never seen the material, they would have committed sexual crimes anyway. Alcohol is probably involved in more sex crimes than pornography is, and there have been many cases where religious or social repression led to the explosion, particularly among the young.

But one legal and social principle that the Bundy Bill and other New Victorian legislation casts aside is one of the most cherished conservative beliefs: personal responsibility. In a court of law, you can’t go free by saying that your upbringing made you do it, or your environment, your mother, father or friends. Still, many try to make that case. Whining has become one of the most widespread characteristics of Americans, even among criminals. In my experience, the classic excuse of the amateur American murderer has been “God made me do it.” Guys shoot up post offices or obliterate entire families and claim that God was in the getaway car giving orders. Charles Manson said he was inspired by the Book of Revelations. John Hinckley said he knew he had to shoot President Reagan after reading The Catcher in the Rye, and though J. D. Salinger is God only to a small number of fans, the reasoning is the same. When Ted Bundy said that pornography made him do it, the New Victorians cheered. But he was still only copping a plea. He did it. Nobody else. Murderers are responsible for their murders. And in every country on earth, rapists do the raping, not some collective called men.

The legal theory that endorses pornography-made-me-do-it, if accepted, would have no limits. Someone could claim that his family was destroyed as the result of published feminist theories attacking the family, and that feminist writers and their publishers must pay for the damage. Environmentalists could be sued for articles and speeches that place the spotted owl above the jobs of loggers.

And it could go beyond such possibilities. Violence permeates American society, and most of its victims are male. If the producers of Debbie Does Dallas can be held responsible for the crimes of someone who watched the video, why can’t the same be done to the producers of Terminator 2 or Halloween 5 or The Wild Bunch? You could go after the Road Runner cartoons, too, or Hamlet or the opera Carmen, In order to cleanse the American imagination, you would need to eliminate the works of Hemingway and Faulkner, along with hundreds of thousands of other novels and theoretical works that could make violence socially acceptable, thereby causing murder and mayhem. You would end up abolishing boxing, hockey and football. You would be forced to censor all war reporting, perhaps even the discussion of war, on the grounds that Nightline is the theory and war is the practice.

Obviously, this is pushing the argument to the frontiers of the absurd. But there is an absurd assumption behind the suppressionist argument: that men are a kind of collective tabula rasa on which the pornographers make their indelible marks. An innocent lad from Shropshire picks up a copy of one of the books that MacKinnon cites — say, Enemas and Golden Showers — and goes rushing out into the night, enema bag in one hand, cock in the other. That might have made a glorious scene in a John Belushi movie, but common sense tells us that it doesn’t happen very often in what we laughingly call real life.