Пиксель. История одной точки

Johnson T. Email. 2017. April 20; Sutherland I. Sketchpad. P. 67–68; Idem. Email. 2017. May 2; Idem. Talking by Skype. 2017. May 9.

Sutherland I. Sketchpad. Appendix E. P. 154–160; Idem. Email. 2017. May 2.

Blinn J. F. A Trip Down the Graphics Pipeline: Grandpa, What Does «Viewport» Mean? // IEEE Computer Graphics and Applications. 1992. № 1 (12). January. P. 83–87; Newman W., Sproull R. F. Principles of Interactive Computer Graphics. San Francisco: McGraw-Hill, 1973. P. 126–127.

Fetter W. A. The Art Machine // Journal of Commercial Art and Design. 1962. № 2 (4). February. P. 36.

Bernhart W. D., Fetter W. A. Planar Illustration Method and Apparatus, US Patent № 3,519,997. Патент подан 13 ноября 1961 года, опубликован 7 июля 1970 года; Oppenheimer R. Email. 2017. June 16.

Blinn J. Email. 2017. June 18.

Zajac E. E. Computer-Made Perspective Movies as a Scientific and Communication Tool // Communications of the ACM. 1964. № 3 (7). March. P. 169–170; AT&T Tech Channel. URL: https://techchannel.att.com/play-video.cfm/2012/7/18/AT&T-Archives-First-Computer-Generated-Graphics-Film.

Zajac E. E. Op. cit. P. 170.

Sutherland I. Talking by Skype. 2018. January 23.

Idem. Email. 2018. January 21; Idem. Talking by Skype. 2018. January 23.

Johnson T. Email. 2017. March 24; Licklider J. C. R. Graphics Input — A Survey of Techniques // Proceedings 1966 UCLA Computer Graphics Symposium. P. 44.

Krull F. N. The Origin of Computer Graphics within General Motors // IEEE Annals of the History of Computing. 1994. № 3 (16). P. 44–46; Weisberg D. E. Op. cit. Ch. 3. P. 22–25.

Hargreaves B. Email. 2014. November 4; Riesenfeld R. Email. 2017. September 23.

Hargreaves B. Emails. 2017. May 18–19.

Hargreaves B., Joyce J. D., Cole G. L. et al. Image Processing Hardware for a Man-Machine Graphical Communication System // Proceedings 1964 AFIPS Fall Joint Computer Conference. P. 375; Hargreaves B. Emails. 2014. October 13. 2017. May 19; Lacks J. E. A Laboratory for the Study of Graphical Man-Machine Communications // Proceedings 1964 AFIPS Fall Joint Computer Conference. P. 344; Sutherland I. Computer Graphics: Ten Unsolved Problems // Datamation. 1966. № 5 (12). May. P. 23.

Hargreaves B. Email. 2014. October 13.

Forrest R. Email. 2017. March 20; Hargreaves B. Email. 2017. May 18.

Dear B. Op. cit.

Sutherland I. Talking by Skype. 2017. May 9.

Licklider J. C. R. Graphics Input — A Survey of Techniques. P. 44; Sketchpad, by Dr. Ivan Sutherland with comments by Alan Kay. URL: https://www.youtube.com/watch?v=495nCzxM9PI.

Johnson T. Op. cit.

Idem. Emails. 2017. March 24–25.

Ibid. March 30.

Ibid. March 24.

Roberts L. Op. cit.

Gilmore Jr. J. T. Op. cit. P. 56–59.

Larry Roberts, Fellow // Computer History Museum. URL: https://computerhistory.org/profile/larry-roberts/?alias=bio&person=larry-roberts.

Sutherland I. Sketchpad. P. 132–133; Idem. Talking by Skype. 2017. May 9.

Cybernetic Serendipity: The Computer and the Arts // ed. by J. Reichardt. Studio International Special Issue. London, 1968. July. P. 5.

Knowlton K. C. A Computer Technique for Producing Animated Movies // Proceedings 1964 AFIPS Spring Joint Computer Conference. P. 67–87; A Computer Technique for Producing Animated Movies. URL: https://techchannel.att.com/play-video.cfm/2012/9/10/AT&T-Archives-Computer-Technique-Production-Animated-Movies; Programming of Computer Animation. URL: https://techchannel.att.com/play-video.cfm/2012/9/17/AT&T-Archives-Programming-of-Computer-Animation.

Taylor G. D. When the Machine Made Art: The Troubled History of Computer Art. New York: Bloomsbury Academic, 2014.

Wein M. Email. 2017. July 3; URL: http://compellingjewishstories.blogspot.com/2013/03/fifteen-journeys-warsaw-to-london-by.html.

Llach C. A Conversation with Robin Forrest. P. 17.

Cybernetic Serendipity. URL: http://www.historyofinformation.com/detail.php?entryid=1089.

Cybernetic Serendipity: The Computer and the Arts. P. 66–68, 86–90, 92–93, 95–96.