Полным ходом. Эстетика и идеология скорости в культуре русского авангарда, 1910–1930

Kruchenykh 1971 – Kruchenykh A. Victory over the Sun: An Opera in 2 Acts, 6 Scenes / transl. by Ewa Barton and Victoria Nes Kerby 11 Drama Review. 1971. Vol. 15, № 4 (Fall). P. 107–124.

Kuleshov 1974 – Kuleshov L. Kuleshov on Film: Writings by Lev Kuleshov I ed. and transl. by Ronald Levaco. Berkeley, CA: University of California Press, 1974.

Larionov 1987 – Larionov M. Une Avant-Garde Explosive. Paris: Editions 1’Age d’homme, 1987.

Lartigue 1998 – Lartigue J. H. Jacques Henri Lartigue: Photographer. Boston: Little, Brown, 1998.

Lawton 1976 – Lawton A. Russian and Italian Futurist Manifestos // Slavic and East European Journal. 1976. Vol. 20, № 4 (Winter). P. 405–420.

Lawton 1981 – Lawton A. Vadim Shershenevich: From Futurism to Imaginism. Ann Arbor, MI: Ardis, 1981.

Lawton 1992 – Lawton A. (ed.) The Red Screen: Politics, Society, Art in Soviet Cinema. New York: Routledge, 1992.

Lawton 1993 – Lawton A. The Futurist Roots of Russian Avant-garde Cinema // Readings in Russian Modernism I ed. by Ronald Vroon and John Malmstad. Moscow: Nauka, 1993.

Lawton, Eagle 1988 – Lawton A., Eagle H. (eds.) Russian Futurism through Its Manifestoes, 1912–1928. Ithaca, NY: Cornell University Press, 1988.

Lebedeva 1992 – Lebedeva I. The Poetry of Science: Projectionism and Electroorganism // The Great Utopia: The Russian and Soviet Avant-Garde, 1915–1932. New York: Guggenheim Museum, 1992.

Lees 1985 – Lees A. Cities Perceived: Urban Society in European and American Thought, 1820–1940. New York: Columbia University Press, 1985.

Lenin 1964 – Lenin V. I. Collected Works. Vol. 20. Moscow: Progress, 1964.

Leyda 1983 – Leyda J. Kino: A History of Russian and Soviet Film. Princeton, NJ: Princeton University Press, 1983.

Lissitzky-Kiippers 1967 – Lissitzky-Kiippers S. El Lissitzky: Life, Letters, Texts. London: Thames and Hudson, 1967.

Livshits 1977 – Livshits B. The One and a Half-Eyed Archer / transl. by John Bowlt. Newtonville, MA: Oriental Research Partners, 1977.

Lodder 1983 – Lodder Ch. Constructivism. New Haven, CT: Yale University Press, 1983.

Malevich 1968 – Malevich K. Essays on Art, 1915–1933: in 2 vols / ed. by Troels Andersen. Copenhagen: Borgens Forlang, 1968.

Malmstad 2003 – Malmstad J. Wrestling with Representation: Reforging Images of the Artist and Art in the Russian Avant-Garde // Cultures of Forgeries: Making Nations, Making Selves / ed. by Judith Ryan and Alfred Thomas. New York: Routledge, 2003. P. 145–168.

Malmstad, Bogomolov 1999 – Malmstad J., Bogomolov N. Mikhail Kuzmin: A Life in Art. Cambridge, MA: Harvard University Press, 1999.

Marcade 1999 – Marcade J.-C. Delaunay et Russie H Robert Delaunay, 1906–1914: De 1’impressionisme alabstraction. Paris: Centre Pompidou, 1999. P. 67–74.

Marcade 2003 – Marcade J.-C. Malevich, Painting, and Writing: On the Development of a Suprematist Philosophy // Kazimir Malevich: Suprematism / ed. by Matthew Drutt. New York: Guggenheim Museum, 2003. P. 22–43.

Marinetti 2006 – Marinetti F. T. Critical Writings / transl. by Doug Thompson. New York: Farrar, Straus and Giroux, 2006.

Marinetti 1972 – Marinetti F. T. Marinetti: Selected Writings / ed. by. R. W. Flint. New York: Farrar, Straus and Giroux, 1972.

Markov 1968 – Markov V. Russian Futurism: A History. Berkeley: University of California Press, 1968.

Martin 1968 – Martin M. W. Futurist Art and Theory, 1909–1915. Oxford: Clarendon Press, 1968.

Marx 1964 – Marx L. The Machine in the Garden. New York: Oxford University Press, 1964.

Marx 1973 – Marx K. Grundrisse: Foundations of the Critique of Political Economy. New York: Penguin, 1973.

McReynolds 2003 – McReynolds L. Russia at Play: Leisure Activities at the End of the Tsarist Era. Ithaca, NY: Cornell University Press, 2003.

Metz 1974 – Metz Ch. Film Language: A Semiotics of the Cinema. New York: Oxford University Press, 1974.

Metz 1980 – Metz Ch. Trucage and the Film / transl. by Franchise Meltzer II The Language of Images I ed. by W. J. T. Mitchell. Chicago: University of Chicago Press, 1980. P. 151–170.

Meyerhold 1969 – Meyerhold V. Meyerhold on Theater I ed. by Edward Braun. New York: Hill and Wang, 1969.

Millar, Schwarz 1998 – Millar J., Schwarz M. (eds.) Speed – Visions of an Accelerated Age. London: Photographers’ Gallery and Trustees of the Whitechapel Art Gallery, 1998.

Miller 2001 – Miller A. I. Einstein, Picasso: Space, Time, and the Beauty That Causes Havoc. New York: Basic Books, 2001.

Milner 1983 – Milner J. Vladimir Tatlin and the Russian Avant-Garde. New Haven, CT: Yale University Press, 1983.

Montagu 1964 – Montagu I. Film World. Middlesex, England: Penguin Books, 1964.

Moszynska 1990 – Moszynska A. Abstract Art. London: Thames and Hudson, 1990.

Moussinac 1923 – Moussinac L. Theorie de cinema // Cinea. 1923. № 95 (July 1).P. 9-12.

Nietzsche 1983 – Nietzsche F. Untimely Meditations I transl. by R. J. HoL lingdale. Cambridge: Cambridge University Press, 1983.

Noever 1991 – Noever P. (ed.) The Future Is Our Only Goal. Munich: Prestel-Verlag, 1991.