Читаем Potboiler полностью

Pfefferkorn opened the dresser. The day’s itinerary included a visit to a goat farm on the outskirts of town, which seemed as good an occasion as any to use his one polo shirt. Still coursing with sweat, he unwrapped his towel and pressed it to his face. When he took the towel away from his face he saw that his moustache had come off in his hands.

There was no cause for panic. He had been in West Zlabia for a week, and the epoxy was supposed to last ten to twelve days. Constant perspiration had likely hastened its dissolution. He picked the old moustache out of the folds of his towel and flushed it down the toilet. He put his wheelie bag on the bed, pried up the first false bottom, removed one of the moustache kits, tore it open, and dumped its contents across the bedspread. Swatches of fake hair in a wild multitude of sizes, shapes, colors, and textures spilled out. It looked like a caterpillar pride parade. He selected two pinkie-length pieces in a medium brown and carried them into the bathroom along with the thimble-sized tube of adhesive and the instruction sheet.

Superficial identity alteration package (male)

1. Choose the part which is sorted appropriately of the hairpiece at size.

2. In order to meet to the most desirable size, carve the hairpiece

3, Solicit moisture with the surface area of the face where the hairpiece will have in application.

4. Using the cotton stick, solicit Mult-E-Bond™ in verso of the hairpiece to receive the influence which ties on with moisture.

5 Solicit the hairpiece, maintain for thrity second..

6. You look so good!

He didn’t remember the process being quite so esoteric. Then again, Blueblood had been there to help. Flummoxed, he turned the page over.

MADE IN INDONESIA

There was a knock at the front door.

“Good morning, friend!”

What was Fyothor doing here? Breakfast didn’t start for another half hour. Pfefferkorn poked his head out. “Just a minute,” he called.

He ducked back into the bathroom. He uncapped the tube of adhesive, squeezed a dollop onto his fingertip, and put his finger to his lip, instantly fusing the two surfaces together.






77.






It was ugly. His left middle finger was stuck to his upper lip midway between the left corner of his mouth and his philtrum. The angle of contact was particularly grievous. Had the finger been pressed down at twelve o’clock, he might have been able to pass off the pose as one of contemplation. As it was, the finger was between nine and ten o’clock, making it look like he was about to excavate a booger. He dashed to the bed and combed through the pieces of facial hair.

Next door the banging started up, steady as a metronome.

“Really?” he yelled. “Now?”

“What?” Fyothor called.

“Nothing.”

He found what he was looking for: the enclosed Q-tip, or what the instructions called a “cotton stick.” In his haste, he had forgotten all about it. Knowing where he had gone wrong didn’t get him any closer to fixing the problem, though. At present he was holding his own face, and Fyothor was tapping at the door, and the lovebirds were going at it like a pumpjack.

“I apologize for the rude awakening,” Fyothor called, “but today we must stick to the schedule.”

“I’ll be right there.” Pfefferkorn raced back to the bathroom, threw on the hot water, and stuck his head under the tap, without effect. Despairingly he stood up, wet all over again. There was a way to dissolve the epoxy, he knew. Blueblood had told him. The banging was driving him crazy and making it hard to concentrate.

“I recommend closed-toe shoes,” Fyothor called.

“Right-o,” Pfefferkorn called.

He remembered: a solution of saltwater, twenty-two percent by weight. Simple enough, except that he had yet to see a saltshaker (or any normal condiment, for that matter) anywhere in West Zlabia. A bit of ketchup would do wonders for root vegetable hash, he thought. Then he told himself to focus. He needed salt water. He could cry. He dug deep for the saddest memories he had. He thought of his father. He thought of all his failures. It was no use. Shortly after his life had taken a turn for the better, he had worked to put his misery behind him. Instead he imagined awful things that might yet happen. He pictured Carlotta in her cell. He pictured himself getting treated for cancer. With distaste, he pictured his daughter . . . but his brain refused to go there, and his eyes remained dry as toast.

“The driver is waiting. We can still beat the traffic.”

“On my way.”

He tugged at his lip again. He was stuck fast, his options dwindling. What distinguished men like Harry Shagreen and Dick Stapp, he thought, was their monomania. They did whatever it took—anything at all—for failure was not an option. He gripped his left wrist with his right hand, took a deep breath, and yanked as hard as he could, spinning himself around and landing in the shower with a crash.

“Friend? Is everything all right?”

Перейти на страницу:

Похожие книги

12 великих трагедий
12 великих трагедий

Книга «12 великих трагедий» – уникальное издание, позволяющее ознакомиться с самыми знаковыми произведениями в истории мировой драматургии, вышедшими из-под пера выдающихся мастеров жанра.Многие пьесы, включенные в книгу, посвящены реальным историческим персонажам и событиям, однако они творчески переосмыслены и обогащены благодаря оригинальным авторским интерпретациям.Книга включает произведения, созданные со времен греческой античности до начала прошлого века, поэтому внимательные читатели не только насладятся сюжетом пьес, но и увидят основные этапы эволюции драматического и сценаристского искусства.

Александр Николаевич Островский , Иоганн Вольфганг фон Гёте , Оскар Уайльд , Педро Кальдерон , Фридрих Иоганн Кристоф Шиллер

Драматургия / Проза / Зарубежная классическая проза / Европейская старинная литература / Прочая старинная литература / Древние книги