The village elders of Adonis put their shaggy heads and tight-stitched wallets together to plan something special for the Nutcake Festival that year, as it was the tenth Nutcake, and also because that year had not been so kind as July third: the amphorae were only three-quarters full, the cows-which-were-not-really-cows were surly and recalcitrant, and every other cacao-husk had no nut in it. Everyone needed cheering up. The elders sent away to Parvati, another village in the Land of Milk and Desire, deep in the lushest and loveliest jungles of the interior, for seven barrels of cider (which was not really cider, but heady, hearty, heavenly stuff the colour of a flamingo’s feathers for which Parvati was already becoming famous, as it was brewed from apples which are not really apples, but crisp, colossal, crystallized berries that grow only in the most protected and shadowy forests of the Land of Milk and Desire). They sent to the village of Dahomey on the slopes of Mount Neith where wild frangipani grows (which are not really frangipani, but fragrant, feral, fecund flowers the colour of sunset that smell like bread baking and are only the female of the species) for twelve mature Samedi moths, which are the males of the same species of the frangipani-which-is-not-really-frangipani. Every summer the frangipani-that-are-not-really-frangipani blossoms open up on the mountainside and thousands of great glossy black-green moths-that-are-not-really-moths fly out of their mothers and into the world. A single wing of the Samedi moth, properly roasted over a low, grass-fed fire, can feed twenty, with scraps left for the hounds. And, finally, the elders of Adonis sent to White Peony Station for three precious treasures, so dear they could not be purchased, only lent at robber’s prices, with thrice-signed bonds assuring their return in pristine condition. One treasure was white, the second silver, the third black. One enormous, the second awfully loud, the third nothing much to look at, but more dear than the other two combined.
The first treasure, white and enormous, was a projection screen.
The second, silver and awfully loud, was a film projector.
The third, black and not much to look at, was a movie, its spools of film closed tightly into canisters like holy jars of spices buried within the pyramids back Home.
The elders kept the name of the film secret, so that everyone who was not an elder could have the pleasure of finding out what it was just as the cider was going to their heads and the world seemed very fine indeed. They had debated long and hard over which movie to request from White Peony Station—a movie the children would like, but that would not bore the adults too much, that would neither be too sad nor too cloying, too pretentious nor too stupid. Only five people in Adonis had ever seen a movie before, and all in their youths, when they had first arrived in White Peony Station, or Aizen-Myo Sector, or Judgment-of-Paris, or even back Home. Adonis was normally too small and busy for such diversions. Finally, they settled upon a film by Percival Unck, whose name the old timers remembered blazing from the marquees of those White Peony and Aizen-Myo movie halls. This film was called
Little Doctor Callow, along with his mother, who was pregnant again, and his father, and his baby sister, and the twins, thrilled with anticipation. Anchises ranged far and wide into the hills to find cacao-husks that rattled with seeds inside. He put his pole into the water off of the swimming dock, caught four lovely fish, and smoked the wine-dark trout himself. He chased cassowaries off of their nests, ignoring their squawks and caterwauling, bolting from a hen hollering