Echo Lawrence: Go ahead, ask Irene Casey about Rant's bedroom wall. She ended up hanging wallpaper. To her, dried snot was worse than asbestos.
Even as an adult, in his own apartment, the wall above Rant's bed wasn't anything you'd ever want to touch.
Irene Casey (
The rest, about a wall covered with dried boogers—that never went on. Buddy was a beautiful child. A regular little angel. We did paste stars on his ceiling, those stickers that glowed in the dark, little cowboys under the stars. That part is true, but the rest…I wouldn't never call my baby a monster or no curse from the Devil.
And Buddy wouldn't never tell folks that story.
5–Invisible Art
Bodie Carlyle (
The Caseys, their house was in the country, but they buyed their chickens already dead. The worst thing you could say about somebody hereabouts is they buyed their eggs, but Mrs. Casey buyed hers. Only the white ones. Leghorn eggs. Mostly on account of Easter.
Coming in through the Caseys' kitchen screen door—spreee…
You couldn't help yourself, you had to stop and watch.
From the Field Notes of Green Taylor Simms (
Bodie Carlyle: Invisible as spy writing, only Mrs. Casey could tell where the white wax disappeared on the white egg.
The stove would be crowded, with boiling out of every pot a different smell. Onions. Beets. Spinach greens. The stink of red cabbage. Black coffee. Plus the vinegar smell. In each pot, a different color: yellow, red, green, blue, or brown. Everything boiled down to the color of the cooking water. No lunch ready.
Her eyes crossed, looking straight down her nose, so concentrating on the wax that her mouth hanged open, red lipstick every day of the year, without looking up, she'd say, "If you two are chewing tar, spit it out." She'd say, "You'll find graham crackers over the stove."
Me and Rant.
If you stood there long enough, maybe she'd say how the wax was to keep dye off the egg. At her elbow would be hard-cooked eggs that still looked white, but in truth were half decorated with the parts where dye couldn't go. Just watching her, it could slip your mind how you had an ant hill waiting outside. Or a dead raccoon. Even a box of wood matches.
Even being hungry for lunch, you'd get nosing into Mrs. Casey's egg work.
From the Field Notes of Green Taylor Simms: It's compelling that so many cultures practice a meticulous yet transitory art form as a spiritual ritual, prayer, or meditation.
Bodie Carlyle: Her elbows on the table, one hand dipping her embroidery needle in the wax, her other hand holding the eggs, not looking at Rant and me, one day Mrs. Casey says, "Pull up an egg or get out." She says, "You're making me nervous."
Mrs. Casey gived us each a needle and a cold hard-cooked egg and told us not to shake the table any. "Get an idea in your head," she said. And she showed how to dip the tip of a needle into the candle and bring one clear drop of wax back to the shell of a store-bought leghorn egg. "Draw your idea with the needle," she said. Drop by drop. White on white. Invisible. A secret.
Rant says, "You tell me. I can't figure what to draw."
And his mom says, "Something'll come."