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Dr. Christopher Bing, Ph.D. (Anthropologist): The phenomenon commonly known as Party Crashing is simply the latest manifestation of a liminal space which provides a cathartic sublimation, generating a normative communitas, thereby deflecting any pent-up hostility toward the status quo and preserving the existent social structure.


From the essay "Liminality and Communitas" by Victor Turner (Anthropologist): Prophets and artists tend to be liminal and marginal people, «edgemen» who strive with a passionate sincerity to rid themselves of the clichés associated with status incumbency and role-playing and to enter into vital relations with other men in fact and imagination.


Dr. Christopher Bing, Ph.D.: As defined by the anthropologist Victor Turner in his book The Ritual of Process: Structure and Anti-Structure (1969), liminal spaces occur at the interstices between two distinct phases of life. According to Turner, absurdity and paradox define regularity. The regularly occurring chaos of liminoid space is what allows for an otherwise organized civilization.


Ina Gebert, M.A. (Theologist): Arguably, the best example of a liminal space is the secular ritual of Halloween as currently practiced in the United States. On that particular evening, the power hierarchy is inverted, permitting children to demand tribute of adults. Said children don masks to mimic symbols of power. These include ghosts and skeletons, agents of the dead; witches, who ruin fertility; savage animals such as wolves and lions; or cultural outsiders such as cowboys, hobos, and pirates. Masquerading thusly, the children threaten to inflict property damage as punishment for adults who fail to reward them.


Dr. Erin Shea, Ph.D. (Theologist): Established examples of large liminoid spaces include the annual Burning Man festival in the Black Rock Desert of Nevada, the ConFest held in Australia, the international Rainbow Family gatherings, and the so-called "Celtic Renaissance" held in Glastonbury, England.


Dr. Christopher Bing, Ph.D.: Generally speaking, liminal versus liminoid is defined as follows. The term «liminal» refers to a ritual that marks passage from one phase of life to the next: a baptism, a graduation, a honeymoon. In contrast, a typical «liminoid» event such as a rock concert, a rave, or a polyamorous consensual group sex party occurs outside of the mainstream, but a liminoid event marks no such life transition. The defining characteristic of the liminoid space is that all participants act as equals. Social or caste rankings are discarded, and all present enjoy an egalitarian mutual affection for one another. Turner's name for this spontaneous solidarity and love was the Latin word communitas.


Dr. Erin Shea, Ph.D.: Smaller examples of liminoid spaces include religious pilgrimages, "road trip" vacations, fight clubs, and Party Crashing events.


Ina Gebert, M.A.: Among liminal spaces the most common are rituals in which members of a society temporarily exchange their respective status. The king becomes a servant. The servant, a king. The Roman Catholic Pope kneels to wash the feet of the poor. The well-dressed, respectable Pentecostal celebrant collapses to the floor, twitching and muttering gibberish. Aboard nuclear submarines submerged for three-month tours of duty, the officers and crewmen exchange roles in periodic rituals such as "Hefe Café," a formal midmission dinner during which the commanders must serve and obey their inferiors. In each instance, this short-lived degradation enhances the long-term power of the ruling entity.


Dr. Christopher Bing, Ph.D.: At its worst, the liminal or liminoid event functions as a release for accumulated anxiety, thereby protecting the overall civilization. At its best, liminal and liminoid spaces become social laboratories wherein participants can experiment and develop new forms of self-expression and social structure.


Ina Gebert, M.A.: The living always feel superior to the dead. Consider that death is the ultimate degradation—as well as the opportunity for a community to safely voice its true feelings about an individual. Witness the funeral scene from Tom Sawyer, in which the community believes the title character to be drowned, and they hold a funeral to publicly mourn. Despite their customary disdain for the "deceased," the community expresses its repressed love. Once Tom Sawyer appears, seemingly returning from the dead, the community rejoices.


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