The oscillations increased in amplitude, slowly but surely. At the same time, chirping gravitational pulses with precision and elegance, the singer sculpted the patterns themselves, causing new vibrational modes to spring into play, enhancing some and suppressing others. The star’s rotation had already destroyed any spherical symmetry in the original oscillation modes, but the modes had still been symmetric with respect to the star’s axis of spin. Yet now the singer worked to instil more profoundly asymmetric modes in the star, focusing its efforts on a single equatorial point immediately between the singer and the star’s centre of mass. It increased its power and focus, the closed cosmic string oscillating even more vigorously. Immediately below the singer, on the outer envelope of the star, mass flows were pinched and reflected, heating and compressing surface hydrogen to near-fusion conditions. Fusion did indeed erupt in three or, four concentric rings of stellar matter, but that was incidental. What mattered, what the singer intended, was that the star’s spherical envelope should begin to pucker and distort. Something like a navel was appearing in the star’s seething hot surface, an inward dimple wide enough to swallow a whole rocky world. Concentric rings of fusion, circles of searing brightness, spread out from the dimple, squalling X-rays and neutrinos into space. Still the singer continued pulsing the star with gravitational energy, the timing surgically acute, and still the dimple sank deeper, as if an invisible finger were pushing against the pliant skin of a balloon. Around the dimple the star was bulging higher into space as matter was redistributed. The matter had to go somewhere, for the singer was excavating a hole deep into the star’s interior.
It would continue until it had reached the star’s nuclear-burning core.
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