Читаем Resurrection полностью

She thought of how the advocate had looked at her, and also the president, and of the men she met, and those who came in on purpose at the court. She recollected how her companion, Bertha, who came to see her in prison, had told her about the student whom she had "loved" while she was with Kitaeva, and who had inquired about her, and pitied her very much. She recalled many to mind, only not Nekhludoff. She never brought back to mind the days of her childhood and youth, and her love to Nekhludoff. That would have been too painful. These memories lay untouched somewhere deep in her soul; she had forgotten him, and never recalled and never even dreamt of him. To-day, in the court, she did not recognise him, not only because when she last saw him he was in uniform, without a beard, and had only a small moustache and thick, curly, though short hair, and now was bald and bearded, but because she never thought about him. She had buried his memory on that terrible dark night when he, returning from the army, had passed by on the railway without stopping to call on his aunts. Katusha then knew her condition. Up to that night she did not consider the child that lay beneath her heart a burden. But on that night everything changed, and the child became nothing but a weight.

His aunts had expected Nekhludoff, had asked him to come and see them in passing, but he had telegraphed that he could not come, as he had to be in Petersburg at an appointed time. When Katusha heard this she made up her mind to go to the station and see him. The train was to pass by at two o'clock in the night. Katusha having helped the old ladies to bed, and persuaded a little girl, the cook's daughter, Mashka, to come with her, put on a pair of old boots, threw a shawl over her head, gathered up her dress, and ran to the station.

It was a warm, rainy, and windy autumn night. The rain now pelted down in warm, heavy drops, now stopped again. It was too dark to see the path across the field, and in the wood it was pitch black, so that although Katusha knew the way well, she got off the path, and got to the little station where the train stopped for three minutes, not before, as she had hoped, but after the second bell had been rung. Hurrying up the platform, Katusha saw him at once at the windows of a first-class carriage. Two officers sat opposite each other on the velvet-covered seats, playing cards. This carriage was very brightly lit up; on the little table between the seats stood two thick, dripping candles. He sat in his closefitting breeches on the arm of the seat, leaning against the back, and laughed. As soon as she recognised him she knocked at the carriage window with her benumbed hand, but at that moment the last bell rang, and the train first gave a backward jerk, and then gradually the carriages began to move forward. One of the players rose with the cards in his hand, and looked out. She knocked again, and pressed her face to the window, but the carriage moved on, and she went alongside looking in. The officer tried to lower the window, but could not. Nekhludoff pushed him aside and began lowering it himself. The train went faster, so that she had to walk quickly. The train went on still faster and the window opened. The guard pushed her aside, and jumped in. Katusha ran on, along the wet boards of the platform, and when she came to the end she could hardly stop herself from falling as she ran down the steps of the platform. She was running by the side of the railway, though the first-class carriage had long passed her, and the second-class carriages were gliding by faster, and at last the third-class carriages still faster. But she ran on, and when the last carriage with the lamps at the back had gone by, she had already reached the tank which fed the engines, and was unsheltered from the wind, which was blowing her shawl about and making her skirt cling round her legs. The shawl flew off her head, but still she ran on.

"Katerina Michaelovna, you've lost your shawl!" screamed the little girl, who was trying to keep up with her.

Katusha stopped, threw back her head, and catching hold of it with both hands sobbed aloud. "Gone!" she screamed.

"He is sitting in a velvet arm-chair and joking and drinking, in a brightly lit carriage, and I, out here in the mud, in the darkness, in the wind and the rain, am standing and weeping," she thought to herself; and sat down on the ground, sobbing so loud that the little girl got frightened, and put her arms round her, wet as she was.

"Come home, dear," she said.

"When a train passes—then under a carriage, and there will be an end," Katusha was thinking, without heeding the girl.

Перейти на страницу:

Похожие книги

Пятеро
Пятеро

Роман Владимира Жаботинского «Пятеро» — это, если можно так сказать, «Белеет парус РѕРґРёРЅРѕРєРёР№В» для взрослых. Это роман о том, как «время больших ожиданий» становится «концом прекрасной СЌРїРѕС…и» (которая скоро перейдет в «окаянные дни»…). Шекспировская трагедия одесской семьи, захваченной СЌРїРѕС…РѕР№ еврейского обрусения начала XX века.Эта книга, поэтичная, страстная, лиричная, мудрая, романтичная, веселая и грустная, как сама Одесса, десятки лет оставалась неизвестной землякам автора. Написанный по-русски, являющийся частью СЂСѓСЃСЃРєРѕР№ культуры, роман никогда до СЃРёС… пор в нашем отечестве не издавался. Впервые он был опубликован в Париже в 1936 году. К этому времени Катаев уже начал писать «Белеет парус РѕРґРёРЅРѕРєРёР№В», Житков закончил «Виктора Вавича», а Чуковский издал повесть «Гимназия» («Серебряный герб») — три сочинения, объединенные с «Пятеро» временем и местом действия. Р' 1990 году роман был переиздан в Р

Антон В. Шутов , Антон Шутов , Владимир Евгеньевич Жаботинский , Владимир Жаботинский

Проза / Классическая проза / Русская классическая проза / Разное / Без Жанра