Ретромания. Поп-культура в плену собственного прошлого

Levy, Steven, The Perfect Thing: Flow the iPod Shuffles Commerce, Culture and Coolness (New York: Simon & Schuster, 2006) Lewandowski, Joseph D., ‘Unpacking: Walter Benjamin and his Library’, Libraries & Culture, 34.2 (1999), pp. 151-7..

Livingston, Tamara E., ‘Music Revivals: Towards a General Theory’, in Ethnomusicology, Vol. 43, No. 1 (winter 1999)

Lowenthal, David, The Past Is a Foreign Country (Cambridge: Cambridge University Press, 1985)

MacDonald, Ian, Revolution in the Flead: The Beatles’ Records and the Sixties (London: Fourth Estate, 1994)

—‘The Band Music from Big Pink’, in The People’s Music (London: Pimlico, 2003)

McDowell, Colin, Fashion Today (London: Phaidon Press Ltd., 2003) McEwan, Ian, ‘Solid Geometry’, first published 1975, collected in First Love, Last Rites (New York: Vintage, 1998)

McKay, George, ‘«Unsafe Things Like Youth and Jazz»: Beaulieu Jazz Festivals (1956-61), and the Origins of Pop Festival Culture in Britain’, in Andy Bennett (Ed.), Remembering Woodstock (Aldershot and Burlington: Ashgate, 2004)

McLaren, Malcolm, ‘Dirty Pretty Things’ (New York Dolls), Guardian, Friday 28 May 2004

McRobbie, Angela, ‘Secondhand Dresses and the Role of the Ragmarkef, in Angela McRobbie (Ed.), Zoot Suits and Second-Hand Dresses: An Anthology of Fashion and Music (London: Macmillan, 1989)

РЕТРОМАНИЯ

Marcus, Greil, ‘The Band: Pilgrim’s Progress’, in Mystery Train:

Images of America in Rock ’n’ Roll Music (London: Penguin, 1975) Marinetti, F. T, Critical Writings, trans. Doug Thompson, edited by Gunter Berghaus (New York: Farrar, Straus and Giroux, 2006) Melly, George, Revolt into Style: The Pop Arts (London: Allen Lane/ Penguin, 1970)

Merewether, Charles (Ed.), The Archive (Cambridge, MA: MIT Press, 2006)

Moore, Hilary, Inside British Jazz: Crossing Borders of Race, Nation and Class (Farnham, Surrey: Ashgate, 2007)

Morley, Paul, Words and Music: A History of Pop in the Shape of a City (London: Bloomsbury, 2003)

O’Neill, Alistair, London — After a Fashion (London: Reaktion Books, 2007)

Orlean, Susan, ‘Orchid Fever’, The New Yorker, 23 January 1995 O’Rourke, P J., ‘Future Schlock’, The Atlantic, December 2008 Parr, Martin, Boring Postcards (London: Phaidon Press, 1999)

Pessoa, Fernando, The Book of Disquiet (originally published 1982; London: Penguin Classics, 2002)

Petrusich, Amanda, It Still Moves; Lost Songs, Lost Highways, and the Search for the Next American Music (New York: Faber and Faber, 2008)

Powell, Mike, ‘Through the Cracks #5: Ghost Box’, Pitchfork, 20 May 2008

Reel, Penny, Mod reminiscence, in special Mod issue of New Musical Express, 14 April 1979

Rockwell, John, ‘Electronic & Computer Music & the Humanist Reaction’, in All American Music: Composition in the Late Twentieth Century (New York: Vintage, 1984)

Rombes, Nicholas, A Cultural Dictionary of Punk 1974-1982 (New York: Continuum, 2009)

Rorem, Ned, ‘Is New Music New?’, in Music from Inside Out (New York: George Braziller, Inc., 1967)

—Critical Affairs: A Composer’s Journal (New York: George Braziller, 1970)

Rothenbuhler, Eric W, and John Durham Peters, ‘Defining Phonography: An Experiment in Theory’, Musical Quarterly 81.2 (1997)

Rushton, Neil, ‘Out on the Floor: A Northern Soul Primer’, in The Face, September 1982. Reprinted in Night Fever: Club Writing in the Face 1980-1997 (London: Boxtree, 1997)

Salzman, Marian, and Ira Matathia, Next Now: Trends for the Future (New York: Palgrave Macmillan, 2007)

Samuel, Raphael, Theatres of Memory: Past and Present in Contemporary Culture (London: Verso, 1994)

Shaw, Suzy, and Mick Farren, Bomp!: Saving the World One Record at a Time (Los Angeles: Ammo Books, 2007)

Showalter, Elaine, ‘Fade to Greige’ (review of multiple fashion books), London Review of Books, Vol. 23, No. 1, 4 January 2001 Spengler, Oswald, The Decline of the West (Ne w York: Alfred A. Knopf, 1926/ One Volume Edition, 1932)

—Man & Technics — A Contribution to a Philosophy of Life (New York: Alfred A. Knopf 1932)

Sprinker, Michael (Ed.), Ghostly Demarcations: A Symposium on Jacques Derrida’s Specters of Marx (New York: Verso, 1999)

Starr, Karla, ‘When Every Song Ever Recorded Fits on Your MP3 Player, Will You Listen to Any of Them?’, Phoenix New Times,

5June 2008

Sterling, Bruce, ‘Memories of the Space Age’, ‘Catscan’ колонка в журнале Science Fiction Eye, дата неизвестна. Онлайн: http:// w2.ff.org/Misc/PublicoJions/Bruce_Sterling/Catscan_columns/

Sterne, J onathan, The Audible Past: Cultural Origins of Sound Reproduction (Durham, NC: Duke University Press, 2003)

—‘The MP3 as Cultural Artifact’, in New Media and Society, Vol. 8,

No. 5 (November 2006)

Stewart, Susan, On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection (Durham, NC: Duke University Press, 1993) Stone, Linda, ‘Beyond Simple Multi-Tasking: Continuous Partial Attention’, http://lindastone.net/2009/ll/30/beyond-simple-multi~tasking-continuous-partial-attention/