Riding the Iron Rooster

The only live things here were goats. The frescoes and statues had been stolen—and sold or else removed to museums. Farmers had dismantled many of the buildings so that they could use the bricks, and when the local people found pots or vases or amphoras (and they were good ones, for there was both Greek and Roman influence at Gaocheng), they used them in their kitchens, so that they wouldn't have to buy new ones.

I went to a nearby village of Uighurs and asked them whether they knew anything about Gaocheng. "It is an old city," they said. The people I asked were brown-faced hawk-nosed men whose village was shady and totally off the map. They had donkeys, they had a mosque and a small market, but they didn't speak Chinese or any language other than Uighur. The place was called Flaming Mountain Commune, but that was merely a euphemism. The village had gone to sleep. The women watched me through the folds in their black shawls, and I saw one who looked exactly like my Italian grandmother.

Mr. Liu, my guide, did not speak Uighur, though he had lived not far away for twenty years. I had the impression that these desert-dwelling Uighurs did not take the Han Chinese very seriously. When we started away there was a thump against the side of the car, and the driver slammed on the brakes and chased after the laughing kids. He made a fuss, but no one came to help—no one even listened. And then, a further insult. He stopped to ask directions to an ancient burying ground, the necropolis at Astana, and when he put his head out of the car window, two children stuck feathery reeds into his ears and tickled him. They ran away, as he got out and raged at them.

'They are very bad boys," Mr. Liu said, and he glowered at me when he saw that I was laughing.

The corpses in the underground tombs at Astana were 600 years old, but perfectly preserved, grinning, lying side by side on a decorated slab.

"You want to take a picture of the dead people?" the caretaker asked me.

"I don't have a camera."

She paid no attention to that. She said, 'Ten yuan. One picture."

Mr. Liu said, "I hate looking at dead bodies," and hurried up the stone stairs, fleeing the burial chamber.

When he was gone, the caretaker said, "Shansh marnie?"

I hated to leave Turfan. It was the first town I had seen in China that didn't look Chinese, and I wondered why this was so. It was the hottest place I had been, the lowest, the strangest, in the middle of nowhere, with sulky old men and rapacious women and stone-throwing kids. I didn't find any of it threatening—in fact I liked seeing people resisting Chinese dullness, and setting their faces against humorless and canting politicians. It was unusual that such a place had managed to keep its pride and its culture intact, even if its culture was little more than melons and tambourines and Islamic prostrations. It was a green island in lifeless wilderness: very exciting to arrive at on a train, and even better that it was on a gasping, drooling steam train.

I took that same train out of Turfan, Mr. Fang by my side, and headed west through the desert towards Urumchi, which everyone called "Woolamoochie." It is only a hundred miles or so from Turfan, but the trip is slow because of the circuitous passage through the Tian Shan—The Heavenly Mountains. The series of intersecting valleys contain some of China's most beautiful scenery—cliffs, mountain streams, boulder-strewn gullies and deep gorges. The train labors through each of the twelve tunnels and then bursts into one of these valleys in the blinding Xinjiang sunshine, and the rushing water of the Baiyang River drowns out the gasps of the locomotive.

At one point a black and white crane, five feet tall, gathered itself up and leaped out of the suds of the fast river, folded its legs and neck and beat itself slowly towards the cliffs. After several hours of these brilliantly lit valleys and bouncing clouds, the tracks straightened and we headed across brown desert to the large smoking city of Urumchi, the last place in China that is reachable by train. The next big town west of this is Alma-Ata, in the Soviet Union Republic of Kazakhstan. Horsemen and nomads don't recognize national frontiers. There are plenty of Kazakhs in Urumchi, along with Tatars, Uzbeks, Tazhiks and Mongols; but more than a third of the city's population is Uighur, and the railway station is in the Uighur style, the station sign in the Uighur script.