Russia

Russia till Lately a Peasant Empire—Early Efforts to Introduce Arts and Crafts—Peter the Great and His Successors—Manufacturing Industry Long Remains an Exotic—The Cotton Industry—The Reforms of Alexander II.—Protectionists and Free Trade—Progress under High Tariffs—M. Witte's Policy—How Capital Was Obtained—Increase of Exports—Foreign Firms Cross the Customs Frontier—Rapid Development of Iron Industry—A Commercial Crisis—M. Witte's Position Undermined by Agrarians and Doctrinaires—M. Plehve a Formidable Opponent—His Apprehensions of Revolution—Fall of M. Witte—The Industrial Proletariat.

Fifty years ago Russia was still essentially a peasant empire, living by agriculture of a primitive type, and supplying her other wants chiefly by home industries, as was the custom in Western Europe during the Middle Ages.

For many generations her rulers had been trying to transplant into their wide dominions the art and crafts of the West, but they had formidable difficulties to contend with, and their success was not nearly as great as they desired. We know that as far back as the fourteenth century there were cloth-workers in Moscow, for we read in the chronicles that the workshops of these artisans were sacked when the town was stormed by the Tartars. Workers in metal had also appeared in some of the larger towns by that time, but they do not seem to have risen much above the level of ordinary blacksmiths. They were destined, however, to make more rapid progress than other classes of artisans, because the old Tsars of Muscovy, like other semi-barbarous potentates, admired and envied the industries of more civilised countries mainly from the military point of view. What they wanted most was a plentiful supply of good arms wherewith to defend themselves and attack their neighbours, and it was to this object that their most strenuous efforts were directed.

As early as 1475 Ivan III., the grandfather of Ivan the Terrible, sent a delegate to Venice to seek out for him an architect who, in addition to his own craft, knew how to make guns; and in due course appeared in the Kremlin a certain Muroli, called Aristotle by his contemporaries on account of his profound learning. He undertook "to build churches and palaces, to cast big bells and cannons, to fire off the said cannons, and to make every sort of castings very cunningly"; and for the exercise of these various arts it was solemnly stipulated in a formal document that he should receive the modest salary of ten roubles monthly. With regard to the military products, at least, the Venetian faithfully fulfilled his contract, and in a short time the Tsar had the satisfaction of possessing a "cannon-house," subsequently dignified with the name of "arsenal." Some of the natives learned the foreign art, and exactly a century later (1856) a Russian, or at least a Slav, called Tchekhof, produced a famous "Tsar-cannon," weighing as much as 96,000 lbs. The connection thus established with the mechanical arts of the West was always afterwards maintained, and we find frequent notices of the fact in contemporary writers. In the reign of the grandfather of Peter the Great, for example, two paper-works were established by an Italian; and velvet for the Tsar and his Boyars, gold brocades for ecclesiastical vestments, and rude kinds of glass for ordinary purposes were manufactured under the august patronage of the enlightened ruler. His son Alexis went a good many steps further, and scandalised his God-fearing orthodox subjects by his love of foreign heretical inventions. It was in his German suburb of Moscow that young Peter, who was to be crowned "the Great," made his first acquaintance with the useful arts of the West.