Allen 1992 – Allen E. Ch. Beyond Realism: Turgenevs Poetics of Secular Salvation. Stanford, CA: Stanford University Press, 1992.
Alpers 1983a – Alpers S. Interpretation without Representation, or, The Viewing of «Las Meninas» // Representations 1983. Vol. 1. N 1. P. 30–42.
Alpers 19836 – Alpers S. The Art of Describing: Dutch Art in the Seventeenth Century. Chicago: University of Chicago Press, 1983.
Alpers, Alpers 1972 – Alpers S., Alpers P. Ut Pictura Noesis? Criticism in Literary Studies and Art History //New Literary History. 1972. Vol. 3. N 3. P. 437–458.
Anderson, Debreczeny 1994 – Russian Narrative and Visual Arts: Varieties of Seeing
Andres 2005 – Andres S. The Pre-Raphaelite Art of the Victorian Novel: Narrative Challenges to Visual Gendered Boundaries. Columbus: Ohio State University Press, 2005.
Andrews 1977 – Andrews L. R. Dostoevskij and Hugos “Le Dernier jour dun condamne” // Comparative Literature. 1977. Vol. 29. N 1. P. 1–16.
Armstrong 1999 – Armstrong N. Fiction in the Age of Photography: The Legacy of British Realism. Cambridge, MA: Harvard University Press, 1999.
Armstrong 2007 – Armstrong N. Realism before and after Photography: “The Fantastical Form of a Relation Among Things” // Adventures in Realism / ed. by M. Beaumont. Malden, MA: Blackwell, 2007. P. 84–102.
Bal 1991 – Bal M. Reading “Rembrandt”: Beyond the Word-Image Opposition. Cambridge: Cambridge University Press, 1991.
Bal 1997 – Bal M. The Mottled Screen: Reading Proust Visually / transl. by Anna-Louise Milne. Stanford, CA: Stanford University Press, 1997.
Barkan 2013 – Barkan L. Mute Poetry, Speaking Pictures. Princeton, NJ: Princeton University Press, 2013.
Barran 2000 – Barran T. The Window Closes: The Disappearance of Icons from Dostoevsky’s “Idiot” // Depictions: Slavic Studies in the Narrative and Visual Arts in Honor of William E. Harkins / ed. by D. Greenfield. Dana Point, CA: Ardis, 2000. P. 32–43.
Barsht 2000 – Barsht K. A. Defining the Face: Observations on Dostoevs-kii s Creative Processes // Russian Literature, Modernism, and the Visual Arts / ed. by C. Kelly and S. Lovell. Cambridge: Cambridge University Press, 2000. P. 23–57.
Belknap 2000 – Belknap R. L. On Dostoevsky and the Visual Arts // Depictions: Slavic Studies in the Narrative and Visual Arts in Honor of William E. Harkins / ed. by D. Greenfield. Dana Point, CA: Ardis, 2000. P. 58–60.
Benjamin 1999 – Benjamin W. The Arcades Project
Berg 1992 – Berg W. J. The VdMHTpneBisual Novel: Emile Zola and the Art of His Times. University Park, PA: Pennsylvania State University Press, 1992.
Bethea 1998 – Bethea D. “The Idiot”: Historicism Arrives at the Station // Dostoevsky’s “The Idiot”: A Critical Companion / ed. by L. Knapp. Evanston, IL: Northwestern University Press, 1998. P. 130–190.
Blakesley 2000 – Blakesley R. P. [Gray R. Р]. Russian Genre Painting in the Nineteenth Century. Oxford: Clarendon Press, 2000.
Blakesley 2008 – Blakesley R. P. “There Is Something There…”: The Peredvizhnik! and West European Art // Exp er iment/Eksp eriment: A Journal of Russian Culture. 2008. Vol. 14. P. 18–58.
Blakesley 2009 – Blakesley R. P. Emile Zolas Art Criticism in Russia // Critical Exchange: Art Criticism of the Eighteenth and Nineteenth Centuries in Russia and Western Europe / ed. by C. Adlam and J. Simpson. Oxford: Peter Lang, 2009. P. 263–284.
Blakesley, Reid 2007 – Russian Art and the West: A Century of Dialogue in Painting, Architecture, and the Decorative Arts
Blakesley, Samu 2014 – From Realism to the Silver Age: New Studies in Russian Artistic Culture / ed. by R. P. Blakesley and M. Samu. DeKalb: Northern Illinois University Press, 2014.
Bowlby 2007 – Bowlby R. Foreword // Adventures in Realism / ed. by M. Beaumont. Malden, MA: Blackwell, 2007. P. xi-xviii.
Braider 1999 – Braider C. The Paradoxical Sisterhood: “Ut Pictura Poesis”
Brandenberger, Platt 2006 – Brandenberger D., Platt К. M. F. Terribly Pragmatic: Rewriting the History of Ivan IV s Reign, 1937–1956 // Epic Revisionism: Russian History and Literature as Stalinist Propaganda
Bronfen 1992 – Bronfen E. Over Her Dead Body: Death, Femininity, and the Aesthetic. New York: Routledge, 1992.
Brooks 1998 – Brooks P. History Painting and Narrative: Delacroix’s “Moments”. Oxford: Legenda, 1998.
Brooks 2005 – Brooks P. Realist Vision. New Haven, CT: Yale University Press, 2005.