Safe Harbour

His illness had left a deep mark on her, on all of them. Living with him had been traumatic and difficult, and just as Chad had known how much his father resented him and the mental illness he refused to name, Pip had been aware of it herself. She had mentioned it to her father once, when Chad was in the hospital, and he had shouted at her and told her she didn't know what she was talking about, but she knew better than that. She understood full well, perhaps even better than he, how sick Chad was. And Ophélie did too. Only Ted clung to denial. It was essential to him. It was a matter of pride to Ted not to admit his son was sick. No matter what anyone said to him, or what doctors spoke to him, Ted insisted that if Ophélie handled Chad differently, and established stricter rules for him, there would be no problem at all. He always blamed Ophélie, and clung to the belief that Chad wasn't sick at all. No matter how severe the evidence, Ted's eyes remained firmly closed.

The weekend passed quietly. Andrea had promised to come to the beach again, but in the end, she didn't. She called and said the baby had a cold. And by Sunday afternoon, Pip was longing to see Matt. Her mother slept on the deck all afternoon, and after watching her quietly for an hour, Pip went down on the beach with Mousse. She wasn't intending to walk down to the public beach, she just headed that way, and before she knew it, she was far down the beach, and then she started running, hoping to see him. He was where he had been both times before, painting quietly, this time on a new watercolor. It was another sunset, with a child in it this time. She had red hair and was very small, and was wearing white shorts and a pink shirt. And in the far distance, there was a dark brown dog.

“Is that me and Mousse?” she asked quietly and startled him. He hadn't seen her approach, and when he turned to look at her, he smiled. He hadn't expected her until after the weekend, when her mother went to town again. But he was obviously pleased that she'd turned up.

“Could be, my friend. What a nice surprise.” He smiled.

“My mom's asleep, and I had nothing to do, so I thought I'd come to visit you.”

“I'm glad you did. Will she worry when she wakes up?”

Pip shook her head. He knew enough now to understand. “She sleeps all day sometimes. I think she likes it better that way.” There was no question that Pip's mother was depressed, but he was no longer surprised. Who wouldn't be, having lost both her husband and son. The only problem he could see, greater than that, was that her depression left Pip lonely and alone with no one to talk to but her dog.

She sat down on the sand next to him, and watched him paint for a while. And then she went down to the water's edge to look for shells. Mousse followed her, as Matt stopped painting and watched. He enjoyed just looking at her, she was so sweet, and seemed so otherworldly at times, like a wood sprite dancing along the beach. There was an elfin quality to her. And he was so intent on watching her that he didn't see a woman approach. She was standing only a few feet from him, with a serious expression, when he turned and gave a start. He had no idea who she was.

“Why are you watching my daughter? And why is she in your drawing?” Ophélie had instantly made the connection between the artist and the sketches Pip had brought home. She had come down to the public beach to find Pip and see what she was doing on her lengthy forays. And she didn't know how or why, but she knew this man was part of it somehow, and had no doubt once she saw the child and the dog in his painting.

“You have a lovely daughter, Mrs. Mackenzie. You must be very proud of her,” he said calmly. More calmly than he felt actually. Her intense stare gave him considerable discomfort. He could almost sense what she was thinking, and wanted to reassure her, but he was afraid that doing so might arouse even darker suspicions.

“Are you aware that she is only eleven years old?” It would have been hard to mistake her for any older. If anything, she looked younger. But Ophélie couldn't imagine what this man wanted with her, and suspected him instantly of evil intentions. His seemingly innocent painting could have been, in her mind at least, simply a cover for something far more lurid. He could have been a kidnapper, or worse, and Pip was far too innocent to suspect that.

“Yes,” he said quietly, “she told me.”

“Why have you been talking to her?… and drawing with her?” He wanted to tell her that her daughter was desperately lonely, but didn't. By then, Pip had seen her mother standing, talking to him, and she approached quickly, with a handful of seashells. She searched her mother's eyes instantly to see if she was in trouble. And she realized almost as quickly that she wasn't, but Matt was. Her mother looked frightened and angry, and Pip wanted instantly to protect him.