round and soft as those prehensile tips on a child's toy arrows. Then he
lay back again. After that each morning the turnkey thrust a rolled
newspaper through the door. They fell to the floor and lay there,
accumulating, unrolling and flattening slowly of their own weight in
diurnal progression.
When he had three days left a Memphis lawyer arrived. Unbidden, he rushed
up to the cell. All that morning the turnkey heard his voice in pleading
and anger and expostulation; by noon he was hoarse, his voice not much
louder than a whisper. "Are you just going to lie here and let-"
"I'm all right," Popeye said. "I didn't send for you. Keep Your nose
out."
"Do you want to hang? Is that it? Are you trying to commit suicide? Are
you so tired of dragging down jack that . . . You, the smartest-"
"I told you once. I've got enough on you."
"You, to have it hung on you by a small-time j.p.! When I go back to
Memphis and tell them, they wont believe it."
"Dont tell them, then." He lay for a time while the lawyer looked at him
in baffled and raging unbelief. "Them durn hicks," Popeye said. "Jesus
Christ ... Beat it, now," he said. "I told you. I'm all right."
On the night before, a minister came in. "Will you let me pray with you?"
he said. "Sure," Popeye said: "go ahead. Don't mind me."
The minister knelt beside the cot where Popeye lay smoking. After a while
the minister heard him rise and cross the floor, then return to the cot.
When he rose Popeye was lying on the cot, smoking. The minister looked
behind him, where he had hear Popeye moving and saw twelve marks at
spaced intervals along the base of the wall, as though marked there with
burned matches. Two of the spaces were filled with cigarette stubs laid
in neat rows. In the third space were two stubs. Before he departed he
watched Popeye rise and go there and crush out two more stubs and lay
them carefully beside the others.
Just after five o'clock the minister returned. All the spaces were filled
save the twelfth one. It was three quarters complete. Popeye was lying
on the cot. "Ready to go?" he said.
"Not yet," the minister said. "Try to pray," he said. "Try.
"Sure," Popeye said; "go ahead." The minister knelt again. He heard
Popeye rise once and cross the floor and then return.
At five-thirty the turnkey came. "I brought-" he said. He held his closed
fist dumbly through the grating. "Here's your change from that hundred
you never- I brought . . . It's forty-eight dollars. Wait; I'll count it
again; I dont know exactly, but I can give you a list-them tickets . .
."
"Keep it," Popeye said. "Buy yourself a hoop."
178 WILLIAM FAULKNER
They came for him at six. The minister went with him, his hand under
Poveye's elbow, and he stood beneath the scaffold pravinQ, while they
adiusted the rope, draggine it over Popeye's sleek oiled head, breaking
his hair loose. His hands were tied, so he began to jerk his head,
flipping his hair back each time it fell forward again, while the
minister prayed, the others motionless at their posts with bowed heads.
Popeye began to jerk his neck forward in little jerks. "Psssst!" he said,
the sound cutting sharp into the drone of the minister's voice;
"nssssst!" The sheriff looked at him; he quit jerking his neck and stood
ri-id as thouah he had an egg balqnced on his head. "Fix my hair, Jack,"
he said. "Sure," the sheriff said. "I'll fix it for you"; springing the
trap.
It had been a gray (Jay, a grav summer, a gray year. On the street men
wore overcoats and in the Luxembourg Gardens as Temole and her father
passed the women sat knitting in shawls and even the men playinQ croauet
played in coats and capes, and in the sad gloom of the chestnut trees the
dry click of balls, the random shouts of children, had that quality of
autumn, gallant and evanescent and forlorn. From beyond the circle with
its spurious Greek balustrade, clotted with movement, filled with a gray
light of the same color and texture as the water which the fountain
played into the pool, came a steady crash of music. They went on, passed
the pool where the children and an old man in a shabby brown overcoat
sailed toy boats, and entered the trees again and found seats. Im-
mediately an old woman came with decrepit promptitude and collected four
sous.
In the pavilion a band in the horizon blue of the army played Massenet
and Scriabine, and Berlioz like a thin coating of tortured Tschaikovsky
on a slice of stale bread, while the twilight dissolved in wet gleams
from the branches, onto the pavilion and the sombre toadstools of
umbrellas. Rich and resonant the brasses crashed and died in the thick
green twilight, rolling over them in rich sad waves. Temple yawned behind
her hand, then she took out a compact and opened it upon a face in
miniature sullen and discontented and sad. Beside her her father sat, his
hands crossed on the head of his stick, the rigid bar of his moustache
beaded with moisture like frosted silver. She closed the compact and from
beneath her smart new hat she seemed to follow with her eyes the waves