Score!

‘Don’t hurt him,’ he urged. ‘He’s on the blink.’

Mikhail was desperate to go on partying and Sexton had frightful difficulty shepherding him into a taxi.

‘Such a lovely straightforward guy,’ said Tristan, as he and Serena walked down the dimly lit landing.

Outside her room, she put a caressing hand on his chest.

‘Sorry about your father,’ she whispered, ‘but a good fuck’s truly the quickest way to cure the pain.’

Taking her key, dodging her puckered-up lips, Tristan dropped a kiss on her cheek. Having unlocked her door for her, however, he showed absolutely no desire to follow her inside. The trouble with new men, thought Serena furiously, was that they were so desperate not to harass women you never knew if they were gay or not.

5

The Gramophone Awards took place five days later over a splendid lunch at the Savoy. Record producers and agents in sharp suits gossiped guardedly as they awaited their illustrious artists in the foyer. Women press officers, their shiny highlighted hair and long golden legs belying the severity of their neat black suits, hooked musical big fish out from their pools of admirers and ferried them like children to the right table. The progress was maddeningly slow because it involved so much hugging and hailing on the way.

More hot and famous than anyone, but hidden behind dark glasses, Tristan reached the table of Shepherd Denston, international artists’ agents, virtually unnoticed. He was delighted, however, when his host, Howie Denston, a fawning little creep who ran the London office, informed him that Liberty Productions’ cast for Don Carlos had cleaned up in the awards.

Alpheus P. Shaw, who was playing Philip II — Howie consulted his pocket computer — was Artist of the Year. Glamorous Chloe Catford, the mezzo, who had posed naked on her winning record sleeve, was the People’s Favourite. Solo Vocal had gone to Rozzy Pringle, who was playing Elisabetta’s page, the Opera Award to Hermione, while Early Opera had been awarded to Granville Hastings, who’d been cast as the Grand Inquisitor. Fat Franco’s Italian Love Songs had been voted Best-selling Record. Most prestigious of all, Rannaldini had won Record of the Year.

‘Odd that you all know in advance,’ said Tristan, accepting a glass of Sancerre.

‘Not at all.’ Howie Denston lowered his voice. ‘Singers have such monstrous egos you’d never get them to an award ceremony unless they knew they’d won.’

Nor was it a coincidence that all the cast of Don Carlos — except Fat Franco — were Shepherd Denston artists. This was because Rannaldini had recently wangled himself the chairmanship of the agency. He had therefore ensured that 20 per cent of the vast fees earned by the singers in the film would go back into Shepherd Denston’s pockets.

Howie Denston, known as Mr Margarine because he spread his oily charm so widely over his artists, had now abandoned Tristan and bolted back to the foyer to await Hermione and his new chairman, who were probably having a bonk upstairs and bound to be late. Tristan didn’t mind being left. He was always happy watching people.

Also at the Shepherd Denston table, besides the award winners, was the retiring chairman, who had an ulcer. Next to him sat Serena Westwood, out of pinstripe into clinging scarlet, acting cool towards Tristan, determined to show him what he had missed by not seducing her in Prague.

Rannaldini, who’d done the seating plan, had also sat Serena next to Giuseppe Cavalli, a hunky young bass, who’d be winning awards in a year or two. Giuseppe had been cast as the ghost of the Emperor, Charles V, who appears at the end of the opera and draws his grandson, Carlos, into the safety of the tomb.

No-one was likely to be safe with Giuseppe, who was an unghostly thug with shoulder-length black curls. Given to check shirts tucked into bulging jeans, he had a huge fan mail from women, but was in fact the lover of Granville Hastings, known as ‘Granny’, who could have uncheerfully murdered Rannaldini for continually fixing Giuseppe up with rich single women. Lone parents were even more predatory than loan sharks, reckoned Granny.

Elegant, tall, silver-haired, always exquisitely dressed, Granny appeared a cosy old pussy-cat. Inwardly his heart was breaking. For years he had sung Philip II, the finest bass role in the repertoire, but now, at nearly sixty-four, he had been demoted to the just as difficult but more pantomime villain role of the Grand Inquisitor. As the bigger part, Philip also got the bigger pay cheque, and keeping Giuseppe was very expensive.