Searching for Caleb

Their furniture was barely enough to make the house seem inhabited: three rust-stained mattresses, four kitchen chairs from Goodwill, Great-Grandma's hand-carved rosewood dining table, a sagging sofa and easy chair donated by a neighbor two moves back, and three bureaus of Justine's mother's, their ornate feet and bow fronts self-conscious next to the bedsteads Duncan had constructed out of raw pine boards that gave off a yellow smell. For dishes they had a collection of dimestore plates, some light green, some flowered, some dark brown with white glaze dripped around the edges, and thermal mugs given away free when Esso changed to Exxon. The cutlery with its yellow plastic handles had been salvaged from Aunt Sarah's English picnic basket. There were two saucepans and a skillet. (Justine did not like cooking.) They owned a broom and a sponge mop, but no dustpan, no vacuum cleaner, no squeegee, scrub bucket, or chamois cloth. (Justine did not like cleaning either.) No washing machine or dryer. When all the clothes in the house were dirty the family would lug them to the laundromat. Of course that was not much fun-the four of them struggling with their bulging pillow slips, the grandfather's head ducked way, way low in case of passers-by, all of them a little bedraggled in their very last clean clothes unearthed from the bottom of the drawer or the back of the closet-but wasn't it better than moving those shiny, heavy appliances from place to place? Why, by late afternoon they were completely settled in. There was nothing more to do. It was true that most of the boxes remained to be opened but that was nothing, some were still packed from the last move. There was no hurry. Justine was free to stretch out on her mattress, which had the piney-wood smell of home, and work her feet from her shoes and smile at the ceiling while the cat lay on her stomach like a twenty-pound, purring hot water bottle. Duncan could sit on the edge of the bed fooling with a stroboscope he had forgotten he owned. Meg could shut her door and unwrap, from its own special box, from seven layers of tissue paper, her framed photograph of a young man in a clerical robe at least a size too large, which she rewrapped almost immediately and slid to the back of her closet shelf. And in his room across the hall the grandfather could take a photo of his own from his pocket: Caleb Peck in tones of brown, framed in gold, wearing a hat and tie, his face stark and dignified, playing a violoncello while seated in an open stable door twenty feet off the ground.

Duncan took a tour of the Blue Bottle Antique Shop with Silas Amsel, the owner. Since he had already seen it when he applied for the job, he was not very interested. He ambled along behind fat, bearded Silas, yawning and drumming his fingers on passing tabletops. Spider-legged spinet desks, clocks with cherubs and shepherdesses and Father Time, dusty goblets, mirrors framed in knobby gold plaster, occasional tables too weak to bear the weight of a lamp-what was the sense in all this? To tell the truth, he had never thought about antiques before. He had been reared in a world where they were taken for granted. No one ever bought them, no one bought anything; the rooms were crowded with mellowed, well-kept furniture that appeared to have grown there, and whenever children departed they took several pieces with them but left the rooms as crowded as ever, somehow, as if more had sprouted in the night. No, what interested Duncan was the bin of contrivances he had found behind Silas's counter: rusty cherry pitters, potato quillers, apple corers, fish sealers, an ingenious spiral cone for separating the white of an egg from the yolk. Beside the bin was a wicker valise that opened to make a chair for sitting by the seashore. Where had all that inventiveness got to, now? How had it faded away? The bin was marked with a felt-tip pen: Your choice, $1. The valise, which was broken, could be bought for $2.50, if anyone could find it among the boots and paper bags. When Duncan took over, he would put the valise in the front window. (He leered suddenly at Silas's broad, ponderous back.) He would polish the utensils and lay them out in rows. He would sell everything humdrum and buy ancient tools at barn auctions and flea markets, until the shop resembled a nineteenth-century inventor's workroom and he could sit inhaling a combination of machine oil and wood and oxidizing iron, his favorite smells.

"Oh, I'm getting old, getting old," said Silas, creaking up the steps at the back of the store to show him where the telephone was. "Be sorry to let loose of the reins but glad of the rest, believe me."