Сэлинджер

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Carvajal, Doreen. «Salinger’s Daughter Plans to Publish a Memoir» New York Times, June 24, 1999, E-10.

Carver, Michael. Introduction to D-Day As They Saw It, by Jon E. Lewis. New York: Avalon.

Castronovo, David. «Holden Caulfield’s Legacy» New England Review 22, no. 2 (2001): 180–86.

«The Catcher on the Hill» Newsweek, November 18, 1974, 17.

Cawelti, John G. «The Writer as a Celebrity: Some Aspects of American Literature as Popular Culture» Studies in American Fiction 5 (1977): 161–74.

Chambers, Andrea. «In Search of J. D. Salinger, Biographer Ian Hamilton Discovers aSubject Who Didn’t Want to Be Found» People, June 6, 1988, 51–53.

Chandra, Subhash. The Fiction of J. D. Salinger: A Study in the Concept of Man. New Delhi: Prestige, 2000.

Chaplin, Patrice. Hidden Star: Oona O’Neill Chaplin. London: Richard Cohen Books, 1995.

Cheatham, George, and Edwin Arnaudin. «Salinger’s Allusions to My Foolish Heart – The Salinger Movie» ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 20, no. 2 (2007): 39–43.

Chester, Alfred. «Salinger: How to Love without Love» Commentary 35 (June 1963): 467–74.

Childers, Thomas. Soldier from the War Returning: The Greatest Generation’s Troubled Homecoming from World War II. New York: Houghton Mifflin Harcourt, 2009.

Clarkson, Michael. «Catching the ‘Catcher in the Rye’ J. D. Salinger» In If You Really Want to Hear about It: Writers on J. D. Salinger and His Work, edited by Catherine Crawford, 49–62. New York: Thunder’s Mouth Press, 2006. Originally published in Niagara Falls Review, November 1979.

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Coles, Robert. «Anna Freud and J. D. Salinger’s Holden Caulfield» Virginia Quarterly Review 76, no. 2 (2000): 214–24.

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«Contributors» Story 16 (March – April 1940): 2.

«Controversial Story Not by J. D. Salinger» New Orleans Times Picayune, February 27, 1977, 18.

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Costello, Donald P. «The Language of ‘The Catcher in the Rye’» American Speech 34, no. 3 (1959): 172–81.

–. «Salinger and His Critics» Commonweal, October 25, 1963, 132–35.

Cotter, James Finn. «Religious Symbols in Salinger’s Shorter Fiction» Studies in Short Fiction 15 (Spring 1978): 121–32.

–. «A Source for Seymour’s Suicide: Rilke’s ‘Voices’ and Salinger’s Nine Stories» Papers on Language and Literature 25, no. 1 (1989): 83–89.

Cowan, Alison Leigh, «To a Dear Buddyroo: Salinger Letters Unleashed» New York Times, February 12, 2010, C-23, C-28.

Cowan, Michael. «Holden’s Museum Pieces: Narrator and Nominal Audience in The Catcher in the Rye» In New Essays on The Catcher in the Rye, edited by Jack Salzman, 35–55. Cambridge: Cambridge University Press, 1991.

Cox, James M. «Toward Vernacular Humor» Virginia Quarterly Review 46 (Spring 1970): 311–30.

Crawford, Catherine, ed. If You Really Want to Hear about It: Writers on J. D. Salinger and His Work. New York: Thunder’s Mouth Press, 2006.

Creeger, George R. «Treacherous Desertion»: Salinger’s The Catcher in the Rye. Middletown, CT: Wesleyan University Press, 1961.

Cronin, Gloria, and Ben Siegel, eds. Conversations with Saul Bellow. Jackson: University of Mississippi Press, 1994.

Cullen, Frank. Vaudeville, Old and New. New York: Routledge, 2007.

Cunningham, Ed. Yank: The Story of World War II as Written by the Soldiers. Brassey’s, 1991.

Curry, Renee R. «Holden Caulfield Is Not a Person of Colour» In J. D. Salinger’s The Catcher in the Rye, edited by Sarah Graham, 78–88. London: Routledge, 2007.