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For the last few thousand years, and especially since the end of the Middle Ages, this proud, self-confident assertion was increasingly common belief, held by Emperor and slave, Pope and parish priest. The Earth was a lavishly decorated stage set, designed by an ingenious if inscrutable Director, who had managed to round up, from only He knew where, a multitudinous supporting cast of toucans and mealy bugs, eels, voles, elms, yaks, and much, much more. He placed them all before us, in their opening night costumes. They were ours to do with as we pleased: drag our burdens, pull our plows, guard our homes, produce milk for our babies, offer up their flesh for our dinner tables, and provide useful instruction—bumblebees, for example, on the virtues not just of hard work, but of hereditary monarchy. Why He thought we needed hundreds of distinct species of ticks and roaches, when one or two would have been more than sufficient, why there are more species of beetles than any other kind of being on Earth, no one could say. No matter; the composite effect of life’s extravagant diversity could only be understood by postulating a Maker, not all of whose reasons we could grasp, who had created the stage, the scenery, and the subsidiary players for our benefit. For thousands of years, virtually everyone, theologian and scientist alike, found this, both emotionally and intellectually, a satisfying account.

The man who wrecked this consensus did so with the utmost reluctance. He was no ideologue bent on kicking in the door of the Establishment, no firebrand. If not for a bit of happenstance he would probably have passed his days as a well-liked Church of England parson in a nineteenth-century rural, picture-postcard village. Instead he ignited a firestorm1 that destroyed more of the old order than any violent political upheaval ever had. Through the astonishingly powerful method of science, this gentleman who was known to find lively conversation too taxing, somehow became the revolutionary’s revolutionary. For more than a century, the mere mention of his name has been sufficient to unsettle the pious and rouse the bookburners from their fitful slumbers.

——


Charles Darwin was born at Shrewsbury, England, on February 12, 1809, the fifth child of Robert Waring Darwin and Susannah Wedgwood. The Darwin and Wedgwood families were allied through the close friendship of their patriarchs, Erasmus Darwin, the noted author, physician, and inventor, and Josiah Wedgwood, who had risen from poverty to found the Wedgwood pottery dynasty. These two men shared radically progressive views, even going so far as to side with the rebellious colonies in the American Revolution. “He who allows oppression,” Erasmus wrote, “shares the crime.”2

Their club was called The Lunar Society, because it met only during the full moon when the late-night ride home would be well-lit and therefore less dangerous. Among its members were William Small, who had taught Thomas Jefferson science (at the College of William and Mary in Virginia and whom Jefferson singled out as having “probably fixed the destinies” of his life); James Watt, whose steam engines powered the British Empire; the chemist Joseph Priestley, the discoverer of oxygen; and an expert on electricity named Benjamin Franklin.

The poet Samuel Taylor Coleridge thought Erasmus Darwin “the most original-minded man” he had ever known. Erasmus was also making quite a name for himself as a doctor. George III invited him to become his personal physician. (Erasmus declined the honor out of an unwillingness, he said, to leave his happy home in the countryside, but perhaps the champion of American revolutionaries had political reasons as well.) His real fame, though, stemmed from a string of hit encyclopaedic rhyming poems.

Erasmus Darwin’s two-volume work, The Botanic Garden, comprising The Loves of the Plants, written in 1789, and its eagerly awaited sequel, The Economy of Vegetation, were runaway best-sellers. They were so successful that he decided to tackle the animal kingdom next. The result was a 2,500-page tome, this one in prose, entitled Zoonomia: or, the Laws of Organic Life. In it he asked this prescient question:When we revolve in our minds, first the great changes which we see naturally produced in animals after their nativity as in the production of the butterfly from the crawling caterpillar or of the frog from the subnatant tadpole; secondly when we think over the great changes introduced into various animals by artificial cultivation as in horses or in dogs.  .; thirdly when we revolve in our minds the great similarity of structure which obtains in all the warm-blooded animals as well as quadrupeds, birds, amphibious animals as in mankind, would it be too bold to imagine that all warm-blooded animals have arisen from one living filament (archetype, primitive form)?4


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Барбара Тверски

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