NATALIE Sssh …
HERZEN He’s doing clouds. I wonder what Russian modern art would be like.
NATALIE I wanted to be naked for you, you see.
GEORGE I do. I do see.
EMMA Where’ve they got to, I wonder?
NATALIE Just once!
TURGENEV They’re hunting mushrooms.
NATALIE So, when I’m sitting across from you in the objective world, listening to Alexander reading Schiller in the evenings—or picnicking at Montmorency!—you’ll remember there is an inner reality, my existence-in-itself, where my naked soul is one with yours!
GEORGE I am deeply … Just once?
HERZEN What would it be
NATALIE Let’s not talk … let’s close our eyes and commune with the spirit of Rousseau among the woods where he walked!
HERZEN That’s where Rousseau lived, that cottage. Montmorency is the only bit of country round Paris which reminds me of Russia. Nature here is simple, not like the park at St Cloud, which is somebody’s masterpiece, or the disciplinarian planting at Trianon. How is the country where you go to stay?
TURGENEV Delightful.
EMMA Do your friends have land?
TURGENEV It wouldn’t count for much at home. You can see right across it.
HERZEN How many souls do they have?
TURGENEV One each.
NATALIE Oh, George! I ask for nothing but to give!
GEORGE Please get dressed before …
NATALIE I ask nothing of you but to take!
GEORGE I will, I will, but not here …
NATALIE To take strength from me.
GEORGE Oh, yes, yes, you’re the only one who understands me.
HERZEN Well, what do you do there?
TURGENEV We like to go out shooting.
HERZEN Madame Viardot shoots?
TURGENEV No, she’s not an American, she’s an opera singer. Her husband shoots.
HERZEN Ah. Is he accurate?
EMMA Oh—what a waste of being still.
GEORGE But Emma must be wondering …
NATALIE Let’s tell her!
GEORGE No!
NATALIE Why ever not?
GEORGE Besides, she’d tell Alexander.
NATALIE Do you think so? Alexander must never know.
GEORGE I agree.
NATALIE He wouldn’t understand.
GEORGE No, he wouldn’t
NATALIE If only he could see there’s no egoism in my love.
GEORGE We’ll find a way.
NATALIE One day, perhaps …
GEORGE Yes, let me think—Tuesday …
NATALIE But until then …
GEORGE Yes—so put your clothes on, my dear spirit, my beautiful soul!
NATALIE Don’t look, then.
GEORGE Oh God, we haven’t found a single mushroom!
TURGENEV (
HERZEN None now. The government took it. But you’re quite right. I apologise.
TURGENEV I freed my mother’s household serfs, with land, but I receive quit-rent from the rest.
EMMA Honestly, you Russians.
HERZEN I’m going to find George and Natalie. (
EMMA What are you writing now?
TURGENEV A play.
EMMA Is it about us?
TURGENEV It takes place over a month in a house in the country. A woman and a young girl fall in love with the same man.
EMMA Who wins?
TURGENEV Nobody, of course.
EMMA I want to ask you something, but you might be angry with me.
TURGENEV I’ll answer anyway. No.
EMMA But how do you know the question?
TURGENEV I don’t. You can apply my answer to any question of your choice.
EMMA That’s a good system … Well, I’m sorry. Devotion such as yours should not go unrewarded.
EMMA (
TURGENEV Yes.
TURGENEV (
EMMA But you’re right. If you knew how I suffer. George was my first.
TURGENEV My first was a serf. I think my mother put her up to it. I was fifteen. I was in the garden. It was a drizzly sort of day. Suddenly I saw a girl coming towards me … she came right to me. I was her master, you must remember. She was my slave. She took hold of me by the hair and said, ‘Come!’ … Unforgettable … Words stagger after. Art despairs.
EMMA That’s different. That’s eroticism.
TURGENEV Yes.
EMMA Have you ever been happy?
TURGENEV But I have moments of extreme happiness … ecstasy!—
EMMA Do you?
TURGENEV —watching a duck scratching the back of its head with that quick back-and-forth of its damp foot … and the way slow silver threads of water stream from a cow’s mouth when it raises its head from the edge of the pond to stare at you …
HERZEN Rousseau has a lot to answer for.
GEORGE Oh … why do you say that?