‘You got to remember there’s three basic approaches to philosophy in these parts,’ said Didactylos. ‘Tell him, Urn.’
‘There’s the Xenoists,’ said Urn promptly. ‘They say the world is basically complex and random. And there’s the Ibidians. They say the world is basically simple and follows certain fundamental rules.’
‘And there’s me,’ said Didactylos, pulling a scroll out of its rack.
‘Master says basically it’s a funny old world,’ said Urn.
‘And doesn’t contain enough to drink,’ said Didactylos.
‘And doesn’t contain enough to drink.’
‘Gods,’ said Didactylos, half to himself. He pulled out another scroll. ‘You want to know about gods? Here’s Xeno’s
Didactylos’s fingers danced across the racks. More dust filled the air.
‘These are all books?’ said Brutha.
‘Oh, yes. Everyone writes ’em here. You just can’t stop the buggers.’
‘And people can
Omnia was based on one book. And here were … hundreds …
‘Well, they can if they want,’ said Urn. ‘But no one comes in here much. These aren’t books for reading. They’re more for writing.’
‘Wisdom of the ages, this,’ said Didactylos. ‘Got to write a book, see, to prove you’re a philosopher. Then you get your scroll and free official philosopher’s loofah.’
The sunlight pooled on a big stone table in the centre of the room. Urn unrolled the length of a scroll. Brilliant flowers glowed in the golden light.
‘Orinjcrates’
‘They’re beautiful,’ whispered Brutha.
‘Yes, that is one of the uses of plants,’ said Didactylos. ‘And one which old Orinjcrates neglected to notice, too. Well done. Show him Philo’s
Another scroll unrolled. There were dozens of pictures of animals, thousands of unreadable words.
‘But … pictures of animals … it’s wrong … isn’t it wrong to …’
‘Pictures of just about everything in there,’ said Didactylos.
Art was not permitted in Omnia.{52}
‘And this is the book Didactylos wrote,’ said Urn.
Brutha looked down at a picture of a turtle. There were …
‘How can this be?’ said Brutha. ‘A world on the back of a tortoise? Why does everyone tell me this? This can’t be true!’
‘Tell that to the mariners,’ said Didactylos. ‘Everyone who’s ever sailed the Rim Ocean knows it. Why deny the obvious?’
‘But surely the world is a perfect sphere, spinning about the sphere of the sun, just as the Septateuch tells us,’ said Brutha. ‘That seems so … logical. That’s how things ought to be.’
‘And … what is this …’ Brutha murmured, pointing to a circle under the drawing of the turtle.
‘That’s a plan view,’ said Urn.
‘Map of the world,’ said Didactylos.
‘Map? What’s a map?’
‘It’s a sort of picture that shows you where you are,’ said Didactylos.
Brutha stared in wonderment. ‘And how does it know?’
‘Hah!’
‘Gods,’ prompted Om again. ‘We’re here to ask about gods!’
‘But is all this
Didactylos shrugged. ‘Could be. Could be. We are here and it is now. The way I see it is, after that, everything tends towards guesswork.’
‘You mean you don’t
‘I
‘Talk about gods,’ said Om.
‘Gods,’ said Brutha weakly.
His mind was on fire. These people made all these books about things, and they weren’t
Now he knew why, when Vorbis spoke about Ephebe, his face was grey with hatred and his voice was tense as a wire. If there was no truth, what was there left? And these bumbling old men spent their time kicking away the pillars of the world, and they’d nothing to replace them with but uncertainty. And they were
Urn was standing on a small ladder, fishing among the shelves of scrolls. Didactylos sat opposite Brutha, his blind gaze still apparently fixed on him.
‘You don’t like it, do you?’ said the philosopher.
Brutha had said nothing.
‘You know,’ said Didactylos conversationally, ‘people’ll tell you that us blind people are the real business where the other senses are concerned. It’s not true, of course. The buggers just say it because it makes them feel better. It gets rid of the obligation to feel sorry for us. But when you can’t see you