If you were drowning, I’d come to the rescue,wrap you in my blanket and pour hot tea.If I were a sheriff, I’d arrest youand keep you in a cell under lock and key.If you were a bird, I’d cut a recordand listen all night long to your high-pitched trill.If I were a sergeant, you’d be my recruit,and boy, I can assure you, you’d love the drill.If you were Chinese, I’d learn the language,burn a lot of incense, wear funny clothes.If you were a mirror, I’d storm the Ladies’,give you my red lipstick, and puff your nose.If you loved volcanoes, I’d be lava,relentlessly erupting from my hidden source.And if you were my wife, I’d be your lover,because the Church is firmly against divorce.1995
ODE TO CONCRETE
You’ll outlast me, good old concrete,as I’ve outlasted, it seems, some menwho had taken me, too, for a kind of street,citing color of eyes, or mien.So I praise your inanimate, porous looksnot out of envy but as the nextof kin — less durable, plagued with loosejoints, though still grateful to the architects.I applaud your humble — to be exact,meaningless — origins, roar and screech,fully matched, however, by the abstractdestination, beyond my reach.It’s not that nothing begets its kindbut that the future prefers to courta date that’s resolutely blindand wrapped in a petrified long skirt.1995
AT THE CITY DUMP IN NANTUCKET
To Stephen White
The perishable devours the perishable in broad daylight,moribund in its turn in late November:the seagulls, trashing the dump, are trying to outnumberthe snow, or have it at least delayed.The reckless primordial alphabet, savaging every whichway the oxygen wall, constitutes a prefaceto the anarchy of the refuse:in the beginning, there was a screech.In their stammering Ws one reads not hunger butthe prurience of comma-sharp talons towardwhat outlasts them, or else a torn-outpage’s flight from the volume’s fat,while some mad anemometer giddily spins its cupslike a haywire tea ceremony, and the Atlanticis breasting grimly with its athleticswells the darkening overcast.1995–1996