I made myself scarce. It sounded fairly loco. As I trotted out to where Osgood's sedan was still parked, and got in and got it going, my mind was toying with theories that would account for Wolfe's sudden passion for photography, but I couldn't concoct one that wasn't full of holes. For instance, if all he wanted was to have it on record that the bull's face was comparatively clean, why pictures from all angles? I devised others, wilder and more elaborate, during the four minutes it took to drive to the highway and along it for a mile to Pratt's place, but none was any good. At the entrance to the drive a state cop stopped me and I told him I was sent by Waddell.
I parked in the space in front of the garage, alongside the yellow Wethersill standing there, and jumped out and headed for the house. But I was only halfway there when I heard a call:
"Hey! Escamillo!"
I turned and saw Lily Rowan horizontal, lifted onto an elbow, on a canvas couch under a maple tree. I trotted over to her, telling her on the way:
"Hullo, plaything. I want to borrow a camera."
"My lord," she demanded, "am I such a pretty sight that you just have to-"
"No. This is serious and urgent. Have you got a camera?"
"Oh, I see. You came from the Osgoods. Oh, I knew you were there. It's that yellow-eyed Nancy-"
"Cut it. I tell you I'm serious. I want to take a picture of the bull before they get their-"
"What bull?"
"The bull."
"Good heavens. What a funny job you have. No one will ever take another picture of that bull. They've started the fire."
"Goddam it! Where?"
"Down at the other end…"
I was off on the lope, which may have been dumb, but I was in the throes of emotion. I heard her clamoring, "Wait! Escamillo! I'm coming along!" but I kept going. Leaving the lawn, as I passed the partly dug pit for the barbecue, I could smell the smoke, and soon I could see it, above the clump of birches towards the far end of the pasture. I slowed to a trot and cussed out loud as I went.