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These things try the most placid of parents; and finally Lord Emsworth had put his foot down. It was the only occasion in his life when he had acted with decision, and he did it with the accumulated energy of years. He stopped his son's allowance, haled him home to Blandings Castle, and kept him there so relentlessly that until the previous night, when they had come up together by an afternoon train, Freddie had not seen London for nearly a year.

Possibly it was the reflection that, whatever his secret troubles, he was at any rate once more in his beloved metropolis that caused Freddie at this point to burst into discordant song. He splashed and warbled simultaneously.

Lord Emsworth's frown deepened and he began to tap his fingers together irritably. Then his brow cleared and a pleased smile flickered over his face. He, too, had remembered.

What Lord Emsworth remembered was this: Late in the previous autumn the next estate to Blandings had been rented by an American, a Mr. Peters—a man with many millions, chronic dyspepsia, and one fair daughter—Aline. The two families had met. Freddie and Aline had been thrown together; and, only a few days before, the engagement had been announced. And for Lord Emsworth the only flaw in this best of all possible worlds had been removed.

Yes, he was glad Freddie was engaged to be married to Aline Peters. He liked Aline. He liked Mr. Peters. Such was the relief he experienced that he found himself feeling almost affectionate toward Freddie, who emerged from the bathroom at this moment, clad in a pink bathrobe, to find the paternal wrath evaporated, and all, so to speak, right with the world.

Nevertheless, he wasted no time about his dressing. He was always ill at ease in his father's presence and he wished to be elsewhere with all possible speed. He sprang into his trousers with such energy that he nearly tripped himself up. As he disentangled himself he recollected something that had slipped his memory.

"By the way, gov'nor, I met an old pal of mine last night and asked him down to Blandings this week. That's all right, isn't it? He's a man named Emerson, an American. He knows Aline quite well, he says—has known her since she was a kid."

"I do not remember any friend of yours named Emerson."

"Well, as a matter of fact, I met him last night for the first time. But it's all right. He's a good chap, don't you know! —and all that sort of rot."

Lord Emsworth was feeling too benevolent to raise the objections he certainly would have raised had his mood been less sunny.

"Certainly; let him come if he wishes."

"Thanks, gov'nor."

Freddie completed his toilet.

"Doing anything special this morning, gov'nor? I rather thought of getting a bit of breakfast and then strolling round a bit. Have you had breakfast?"

"Two hours ago. I trust that in the course of your strolling you will find time to call at Mr. Peters' and see Aline. I shall be going there directly after lunch. Mr. Peters wishes to show me his collection of—I think scarabs was the word he used."

"Oh, I'll look in all right! Don't you worry! Or if I don't I'll call the old boy up on the phone and pass the time of day. Well, I rather think I'll be popping off and getting that bit of breakfast—what?"

Several comments on this speech suggested themselves to Lord Emsworth. In the first place, he did not approve of Freddie's allusion to one of America's merchant princes as "the old boy." Second, his son's attitude did not strike him as the ideal attitude of a young man toward his betrothed. There seemed to be a lack of warmth. But, he reflected, possibly this was simply another manifestation of the modern spirit; and in any case it was not worth bothering about; so he offered no criticism.

Presently, Freddie having given his shoes a flick with a silk handkerchief and thrust the latter carefully up his sleeve, they passed out and down into the main lobby of the hotel, where they parted—Freddie to his bit of breakfast; his father to potter about the streets and kill time until luncheon. London was always a trial to the Earl of Emsworth. His heart was in the country and the city held no fascinations for him.

* * *

On one of the floors in one of the buildings in one of the streets that slope precipitously from the Strand to the Thames Embankment, there is a door that would be all the better for a lick of paint, which bears what is perhaps the most modest and unostentatious announcement of its kind in London. The grimy ground-glass displays the words:

R. JONES

Simply that and nothing more. It is rugged in its simplicity. You wonder, as you look at it—if you have time to look at and wonder about these things—who this Jones may be; and what is the business he conducts with such coy reticence.

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука