Darryl took the security guard’s card. From Rick’s icy smile, he hadn’t liked waiting.
Darryl hoped they wouldn’t come by the store again. But the knot in his stomach, still stewing, told him they probably would — Rick would, at least. Darryl was pretty sure of that.
That day the security guards came inside was the first time Darryl saw the haint.
A less watchful manager might not have noticed, but that wasn’t Darryl, so he saw right away: two books were face out in Protest & Revolution. Instead of the newly published books by UCLA professors he was trying to promote, the two books facing out were Franz Fanon’s
Darryl wasn’t a haint-believing kind of brother, so that’s not where his head went first. He told himself that he must not have noticed one of the customers rearrange his shelf for whatever entitled reason — maybe a
For the first year after the Gardens opened up, newly renovated, three times the price for a one-bedroom, he’d delayed stocking anything except Black and brown authors as usual. But he had to admit that his sales had gone up almost 20 percent since he added the new section. Maybe more, if he were honest. His old customers were moving on and out, and his new customers wanted to treat him like a Barnes & Noble despite the sign clearly marked
Darryl had studied enough sales trends to predict that if he had a time machine, he might not recognize Sankofa in five years — assuming it was still here — just like he already didn’t recognize the rest of the street. The books and shelves might still be here, but the spirit of the place could be gone.
Like everything. Like everyone.
Darryl never planned to run a bookstore. He’d noticed how hard Mrs. Richardson was working as he strolled the aisles and vowed that he would never be seduced by a love so fickle. Too many empty seats when the visiting author deserved a stadium. Hardcover books too expensive for customers to afford. He promised himself he would not be swayed by the whine of Coltrane’s sax hypnotizing him from the speaker in the top corner of the east wall. Not by boxes of greeting cards adorned with the blazing colors of Harlem Renaissance artists: Jacob Lawrence. Romare Bearden. Loïs Mailou Jones. Not by hand-painted placards posted to announce the myriad sections, each more glorious than the last: Protest & Revolution and Biographies, of course, but also Science Fiction. Mystery & Thriller. Romance. Comics & Graphic Novels. Each aisle a world unto itself, his mother’s favorite weekend spot, God rest her soul.