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The grate was freely movable now. He could move it backwards and forwards, six or eight inches each way; but he still could not rip it completely free.

He kept on tugging, his neck cords bulging, the ladder swaying dangerously. The grate could be moved upward now, just a little. No, it was finally coming completely loose. He could move it in all directions and even push it outward at right angles to its base.

Twice he heard Helen Ramsey cry out again, and her screams became a goad that turned his wrists to steel. With a sudden, convulsive wrench he twisted the grate sideways. It came loose in his hands. It was so surprisingly light that an incongruous rage surged up in him. It was cruelly perverse, intolerable, that he should have been so long delayed by a thin sheet of metal that hardly seemed to have any weight at all.

He swung about on the ladder and let the grate drop. It struck the floor a few feet from the Selector and rebounded with a clang loud enough to wake the dead. The ladder swayed again, and he had to grab the edge of the aperture quickly and with both hands to keep himself from toppling.

He pulled himself forward through the aperture on his stomach, taking care not to dislodge the ladder. His temples were pounding and his palms sticky with sweat. He did not look down until he was completely through, dreading what he might see.

He passed a hand over his eyes. It was unbelievable, but he had to believe it. The man was gone and the girl was now alone in the compartment.

Had the man fled in sudden fear, knowing that Corriston would be consumed with a killing rage that would make him a more than dangerous adversary? Corriston didn’t think so. The man had looked quite capable of putting up a furious struggle. More likely he had disappeared to keep himself from being recognized, or because he had accomplished his purpose.

Blind, embittered anger again boiled up in Corriston.

Had the man waited, he would have rejoiced and been less angry. He would have taken a calm, deep breath and slowly set about the almost pleasant task of killing him.

He felt cheated, outraged. Then his concern for Helen Ramsey made him forget his rage. Had she been felled with a blow, or had she simply fainted? He started down, then hesitated.

The ladder first. Before he descended it was necessary to make sure that the ladder would be in the same compartment with him, set firmly against the wall, directly under the aperture. If he were prevented from leaving the compartment by the corridor door, he might find himself needing the ladder. Without it he might be descending into a trap that could close with a clang and abruptly imprison him.

Getting down into the compartment was the worst part, just putting the ladder into place and not knowing how badly hurt she was.

What if she’s dead? he thought. What if he killed her with a single blow? He looked strong enough. He could have killed her. God, don’t let me think of that. 1 mustn’t think it.

His feet touched the floor. He let out his breath slowly, turned and crossed the floor to where she was lying. He went down on his knees and lifted her into his arms. She lay relaxed in his arms, face up, quiet, her lips slightly parted.

He looked down into her face, and for a moment his mind went numb, became still, so that there was no longer a whirling inside his head — only a chilling horror.

She seemed to have two faces. One was shrunken and almost tom away, a shredded fragment of a face. But enough of it remained for him to see the shriveled flesh of the cheeks, the puckered mouth, the white hair clinging to the temples. It was the face of an old woman but so fragmentary that it could not even have been called a half-face.

And even though it had been almost ripped away, it seemed still to adhere firmly to the face to which it had been attached, and to blend with it, so that the features of both faces intermingled in a quite unnatural way.

Not quite, though; Helen Ramsey’s face was sharper, more distinct — all of the features stood out more clearly. And when Corriston’s stunned mind began to function normally again, he realized that the old woman’s face was — had to be — a plastic mask.

It took him only an instant to remove the ghastly thing from features which he could not bear to see defaced.

He had to pry it loose, but he did so very gently, exactly as a sculptor might have pried loose a life mask from the face of a recumbent model.

He held it in his hand and looked at it, and a little of the horror crept back into his mind.

It was the merest fragment, as he had thought. Thin, flexible, a tissue-structure of incomplete, aged features, and with an inner surface that was very rough and uneven, as if something had been tom from it.

He could have crumpled it up in his hand, but he did not do so. With a lack of foresight which he was later to regret — a lack which was to prove tragic — he simply flung it from him, as though its ugliness had unnerved him so that he could no longer endure the sight of it.

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