All these things were converging in my heart and mind outside the Tower as someone stepped forward, handed me a poppy and told me to place it. (The artists behind the installation wanted every poppy to be placed by a living person; thousands of volunteers had pitched in thus far.) Willy and Kate were also handed poppies and told to place them on any spot of their choosing.
After we’d finished, all three of us stood back, lost in our private thoughts.
I believe it was just then that the constable of the Tower appeared, greeted us, told us about the poppy, how it had come to be the British symbol of war. It was the only thing that bloomed on those blood-soaked battlefields, said the constable, who was none other than…General Dannatt.
The man who’d sent me back to war.
Truly, everything was converging.
He asked if we’d like a quick tour of the Tower.
Course, we said.
We walked up and down the Tower’s steep stairs, peered into its dark corners, and soon found ourselves before a case of thick glass.
Inside were dazzling jewels, including…the Crown.
Holy shit. The Crown.
The one that had been placed upon Granny’s head at her 1953 coronation.
For a moment I thought it was also the same crown that sat on Gan-Gan’s coffin as it went through the streets. It looked the same, but someone pointed out several key differences.
Ah, yes. So this was Granny’s crown, and hers alone, and now I remembered her telling me how unbelievably heavy it had been the first time they set it upon her head.
It looked heavy. It also looked magical. The more we stared, the brighter it got—was that possible? And the glow was seemingly internal. The jewels did their part, but the crown seemed to possess some inner energy source, something beyond the sum of its parts, its jeweled band, its golden fleurs-de-lis, its crisscrossing arches and gleaming cross. And of course its ermine base. You couldn’t help but feel that a ghost, encountered late at night inside the Tower, might have a similar glow. I moved my eyes slowly, appreciatively, from the bottom to the top. The crown was a wonder, a transcendent and evocative piece of art, not unlike the poppies, but all I could think in that moment was how tragic that it should remain locked up in this Tower.
Yet another prisoner.
Seems a waste, I said to Willy and Kate, to which, I recall, they said nothing.
Maybe they were looking at that band of ermine, remembering my wedding remarks.
Maybe not.
76.
A few weeks later, after more than a year of talking and planning, thinking and worrying, seven thousand fans packed into the Queen Elizabeth Olympic Park for the opening ceremony. The Invictus Games were born.
It had been decided that the International Warrior Games was a tongue twister, a mouthful. A clever Royal Marine had then come up with this far better alternative.
As soon as he suggested it we all said: Of course! After the William Ernest Henley poem!
Every Brit knew that poem. Many had the first line by heart.
And what schoolboy or schoolgirl didn’t encounter at least once those sonorous final lines?
Minutes before my speech at the opening ceremony, I stood in the wings, holding notecards in my hands, which were visibly shaking. Before me, the podium looked like a gallows. I read my cards over and over, while nine Red Arrows did a flypast, streaming smoke colored red, white and blue. Then Idris Elba read “Invictus,” maybe as well as anyone ever has, and then Michelle Obama, via satellite, said some eloquent words about the meaning of the games. Finally, she introduced me.
Long walk. Through a red-carpeted labyrinth. My cheeks looked red-carpeted as well. My smile was frozen, the fight-or-flight response in full effect. I scolded myself under my breath for being this way. These games were celebrating men and women who’d lost limbs, pushed their bodies to the limit and beyond, and here I was freaking out about a little speech.
But it wasn’t my fault. Anxiety, by this point, was controlling my body, my life. And this speech, which I believed meant so much to so many, couldn’t help but exacerbate my condition.
Plus, the producer told me as I walked onstage that we were running behind on time.