Many Leningrad writers were also engulfed; the NKVD invented a conspiracy linking children’s writers, translators, and poets to the civil war poet Nikolai Tikhonov. The NKVD and the editor Nikolai Lesiuchevsky, who advised them, as Pavlenko did in Moscow, were however disconcerted when Stalin and Tikhonov took a shine to each other at the Pushkin jubilee celebrations. The NKVD nevertheless drove mad the surreal poet Daniil Kharms, who had recently written his best-known lines for children:
They also arrested the maverick poet Nikolai Oleinikov. His interrogator, Major Iakov Perelmuter, himself shot in 1940, told him, “I know you’re innocent, but the lot has fallen on you and you must sign this fake statement, or else you will be beaten until you sign it or die.” Oleinikov was shot as a Japanese spy on November 24, 1937.
Nikolai Zabolotsky was luckier: on March 19 he was arrested and tortured, but his vivid imagination caused him to go mad. His tormentors were bored by psychiatric cases and Zabolotsky was sent to the GULAG. His charm and talent as a draftsman saved him from hard labor; he was the only important poet to survive the camps and convey what he experienced:
Any poet who had, like Mandelstam, been exiled by Iagoda was certain of death from Ezhov. Nikolai Kliuev, denounced to Iagoda by Gronsky, editor of
The theatrical world was handled more gingerly as the party bosses valued theater for relaxation. The Bolshoi and Moscow Arts theaters, which provided ballerinas for the Politburo’s beds and informers for the NKVD, received awards and pay increases. Other theaters trembled— Stalin exploited directors’ egos, inducing Vsevolod Meierkhold and Aleksandr Tairov to denounce each other—but of all Leningrad’s and Moscow’s directors and theaters only Meierkhold and his theater were doomed, partly because the actress Zinaida Raikh, Meierkhold’s wife, wrote to Stalin on April 29, 1937: