84. O. Tanin & E. Iogan,
85. Ibid., Op.11, D.206. I am grateful to Malcolm Spencer for pointing out the TASS bulletins, which he makes illuminating use of in his
86. RGASPI, F.71, Op.10, Dd.327–8.
87. Volkogonov,
88. According to Boris Ilizarov, who sourced a copy in the archive of the Mikhail Kalinin, the Russian translation of
89. RGASPI, F.558, Op.11, Dd.301–2.
90. Ibid., D.207, doc.35.
91. Service,
92. Rayfield,
93. Khlevniuk,
94. Kotkin,
95. N. Simonov, ‘Razmyshleniya o Pometkakh Stalina na Polyakh Marksistskoi Literatury’,
96. J. Stalin,
97. B. Slavin, ‘Chelovek Absolyutnoi Vlasti: O Maloizvestnykh i Neizvestnykh Vystupleniyakh I. V. Stalina i Ego Zametkakh na Polyakh Knig’,
98. Ree,
99. Ilizarov,
100. In addition to the Ilizarov books already cited, there is
101. RGASPI, F.558, Op.3, D.53, L.123; Gromov,
102. R. Medvedev,
103. Ibid., p.512.
104. Ibid., p.224.
105. RGASPI, F.558, Op.3, D.348.
106. Medvedev & Medvedev,
107. I. R. Makaryk, ‘Stalin and Shakespeare’ in N. Khomenko (ed.),
108. W. Benjamin, ‘Unpacking My Library: A Talk About Book Collecting’ in his
CHAPTER 5: BAH HUMBUG! STALIN’S POMETKI
1. E. van Ree, ‘Stalin and Marxism: A Research Note’,
2. H. J. Jackson,
3. Ibid., p.48.
4. M. J. Adler, ‘How to Mark a Book’,
5. While these bookmarks are real, they may have been placed there by archivists as a way of identifying the location of Stalin’s
6. The absence of sex in the works of a Victorian novelist is not so surprising but it was brought to my attention by David Lodge’s ‘Dickens Our Contemporary’ in his
7. Rossiiskii Gosudarstvennyi Arkhiv Sotsial’no-Politicheskoi Istorii (hereafter RGASPI), F.558, Op.3, D.346.
8. RGASPI, F.558, Op.3, D.342. Mikhail Vaiskopf notes the similarities between Stalin’s speeches at the 16th and 17th party congresses (
9. Ibid., D.62, pp.5, 7, 9–13, 16–20, 23–4, 30–3, 36–40 of the pamphlet for the markings.
10. Ibid., F.592, Op.1, Dd.6–9.
11. Y. Sharapov, ‘Stalin’s Personal Library’,
12. The relevant pages were on display at an exhibition on the history of Stalin’s personal archive in Moscow in October 2018 and the handwriting was identified by the archivists as being Svetlana’s.
13. Y. Gromov,